Results 11 to 20 of about 46,460 (250)
O estresse agudo de Orestes em Eurípides
The present article is a survey of the state of the art on the incorporation of medical terms in the tragic corpus throughout the 5th century BC, specifically on the psychic disorders that affect the character Orestes.
Luciano Heidrich Bisol
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The Work of Tragic Productions: Towards a New History of Drama as Labor Culture [PDF]
Preliminary analysis of the representation of laborers in Greek tragedy and satyr ...
David Roselli
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Mitul Electrei în reprezentări scenice / Electra’s Myth in Theatre Representations [PDF]
In time, Electra’s myth inspired many authors, resulting in remarkable literary works, adapting the “story” according to the patterns or the spirit of age.
Gabriela Chiciudean
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Anadolu’dan Antik Yunan’a uzanan yolculuğunda Dionisos, birçok esere konu olmuş, birçok isimle anılmıştır. Ancak Dionisos, Anadolu Tanrısı olmasından çok, Antik Yunan Tragedyalarında adına yapılan dithyrambos törenleri ile bilinmektedir.
Ece Yassıtepe Ayyıldız
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The shield as pedagogical tool in Aeschylus’ Seven Against Thebes [PDF]
The article analyzes the descriptions of warriors in Aeschylus’s tragedy Seven against Thebes that are given in the “shield scene” and determines the pedagogical dimension of this tragedy. Aeschylus pays special attention to the decoration of the shields
Victoria Pichugina
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Pseudo-tragica Prodromea: The shadow of pathos over the glitter of the Byzantine secular literature [PDF]
By analyzing primarily the sources for the 1st through the 3rd books of the verse novel Rhodanthe and Dosicles by Theodore Prodromos the author of the paper attempts to point out an enormous influence exerted by the Euripidean drama on the ...
Popović Dušan
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This chapter considers a complex of materials centred on the Alcestis of Euripides and its reception history as an opera (Lully, Gluck) in early modern France. The interest of this particular text is that its operatic setting by Lully generated a polemic
Wygant, A.
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This important fragment, whose textual reconstruction is extremely problematic, from Pacuvius’s Antiope could be hypothetically situated at the end of Amphion’s discourse in the agon with Zethus.
Luigi Galasso
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Ancient Greek theater as a school for the city: why Socrates was not a theatergoer [PDF]
The article explores the phenomenon of ancient Greek theater, portraying it as a unique space where an entire cityscape unfolded before the eyes of thousands of spectators.
Victoria
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Métamorphoses du nom et jeux étymologiques hybrides chez Ovide: Ocyrhoé / Hippè (Métamorphoses, II, 630-675) [PDF]
The metamorphosis of Ocyrhoe in Hippe is paradigmatic in Ovid’s thinking on hybridity in the Metamorphoses. The nymph, daughter of the centaur Chiron and endowed with the gift of prophecy, transforms herself into a mare after announcing the death
Cécile MARGELIDON
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