Results 71 to 80 of about 46,460 (250)

Medéia - o silêncio ético de Aristóteles

Classica, Revista Brasileira de Estudos Clássicos, 1992
O presente ensaio faz uma análise de peça/personagem Medéia, de Eurípides, a partir da óptico/ética aristotélica. Se não fosse uma heroína trágica poderia ser Medéia, pelo menos, uma “pessoa ética”? Na Ética a Nicômaco, Eurípides é um dos pensadores mais
Maria Cecília de Miranda Nogueira Coelho
doaj   +3 more sources

On the Alcestis and Andromache of Euripides [PDF]

, 1981
published or submitted for ...
Diggle, James
core  

Melōsa and her prize: The victory of a woman in ancient Greece

Gender &History, Volume 36, Issue 2, Page 334-352, July 2024.
Abstract The earliest example of the Ancient Greek word for a victor's prize, nikatērion, comes in a verse inscription from the sixth century bce on an Attic kylix (wine cup) from Taras. It records the victory of Melōsa in a competition with other young women. This article draws out the significance of her victory and redefines our understanding of who
Ian Plant
wiley   +1 more source

Sofocle senza χλανίς: nota a un aneddoto comico-erudito

Erga-Logoi
Sophocles without his χλανίς: a note to a comic and scholarly anecdote  This note examines the anecdote concerning Sophocles and the stealing of his cloak, which was told by the peripatetic Hieronymos of Rhodes.
Antonio Mura
doaj   +1 more source

Women and Oaths in Euripides [PDF]

, 2003
“The oath is what holds democracy together,” claimed the Athenian orator Lycurgus, whose democracy was composed exclusively of men.1 Athens was the definitive phallogocentric community where public discursive practices such as the oath were the ...
Fletcher, Judith
core   +2 more sources

Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy

Renaissance Studies, Volume 38, Issue 3, Page 394-415, June 2024.
Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
wiley   +1 more source

“Following Our Own Path”: Pavel Katenin’s Political Theater

The Russian Review, Volume 83, Issue 2, Page 227-242, April 2024.
Abstract The present article focuses on the tension arising from Pavel Katenin’s aesthetic and literary vision for the reception of Antiquity in Russian mythological drama: his avid support of Classical purism and his denunciation of dramatists, for whom ancient myths served merely as a resource of historical parallels, is challenging to reconcile with
Katherine New
wiley   +1 more source

Mushrooms and the wine of Maron [PDF]

, 2017
Although the excavators of the sanctuary of the Great Gods on the island of Samothrace recognize that drinking to the point of intoxication was practiced at the Mystery, naively this has not been seen as an element in the initiation scenario.
Ruck, Carl A.
core   +1 more source

Euripides

, 2012
Euripides (b. c. 485 bce–d. c. 406 bce) is one of the great Athenian tragedians whose dramatic output has survived, if only partially, into the modern era. His contemporary, the comic writer Aristophanes, mocks him for technically flawed and intellectually subversive plays, and it may be significant that, as compared with Aeschylus’s thirteen and ...
  +4 more sources

Ist Euripides Rationalist oder Irrationalist?

Literatūra (Vilnius), 1969
Euripides kritisierte die primitive griechische Religion und versuchte die Mythen und die Ereignisse der Natur und des menschlichen Lebens – soweit die Spezifik der antiken tragischen Dichtung es zuließ – natürlich, d. h.
Jonas Dumčius
doaj   +1 more source