Results 11 to 20 of about 39,146 (263)

Tańczące muzy. Kino i korespondencja sztuk

open access: yesImages, 2009
Dancing muses. Cinema and the correspondance of arts How traditional arts are used and adapted by film? In what ways do they correspond and cooperate as structural elements supporting a fully coherent piece of film? These fundamental questions open many
Marek Hendrykowski
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“For the support of artistically superior films”: The State Film Prize Committee and the formative years of a quality-directed Swedish film policy 1960–1963

open access: yesNordisk Kulturpolitisk Tidsskrift, 2021
In 1960 The State Film Prize Committee was founded in Sweden with the intention to support artistically superior films. Research on Swedish quality-directed film policies usually has as its point of departure the Swedish Film Institute, established in ...
Lars Diurlin
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Artysta w l'univers concentractionaire. "Kornblumenblau" Leszka Wosiewicza jako traktat o sztuce

open access: yesImages, 2009
The Artist In L’univers Concentrationnaire. Leszek Wosiewicz’s “Kornblumenblau” As a Treaty About Art The author of the essay considers Leszek Wosiewicz’s Kornblumenblau as a film about art and focuses on the self reflexive elements present in the film,
Katarzyna Mąka-Malatyńska
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Film Adaptation as the Art of Expansion

open access: yesEnglish Literature, 2018
his article discusses changes in central metaphors through which contemporary adaptation studies strive to chart the enormous territory of film adaptations that exists today.
Rybina, Polina
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« Éducation à l’image » et « Medienkompetenz » Quelques différences dans l’enseignement du cinéma à l’école, en France et en Allemagne

open access: yesMise au Point, 2015
This text compares the discourses, practises and politics of film education in France and in Germany, and outlines their historical development. It starts with the observation of a fundamental difference : Whereas in Germany film education is anchored in
Bettina Henzler
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Cinematic Art (History) and Mieke Bal's Thinking in Film

open access: yesArtium Quaestiones, 2020
The article focuses on Mieke Bal’s theoretical considerations of art in terms of film and movement in general. This cinematic frame offers her a conceptual framework for “thinking in film”, a way to rethink not only diverse forms of art, moving and still
Filip Lipiński
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“We’ll Fix It in Post”: On the Challenges of Translating Film Art [PDF]

open access: yesЛитература двух Америк
The Russian edition of Film Art: An Introduction by David Bordwell, Kristin Thompson and Jeff Smith (film and narratology scholars) has attracted interest of a wide range of readers, from film enthusiasts to high school teachers.
Elizaveta A. Orlova
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Positioning Art Cinema: Film and Cultural Value, by Geoff King

open access: yesAlphaville: Journal of Film and Screen Media, 2021
In Geoff King’s most recent book, Positioning Art Cinema: Film and Cultural Value, the author “positions” art cinema not principally in industrial terms, but rather as a field of cultural production according to Pierre Bourdieu’s theories.
Fátima Chinita
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Film fabularny jako narzędzie kuratora i badacza sztuki

open access: yesArtium Quaestiones, 2020
In the essay, the author, Łukasz Ronduda, relates his own work as an artist, a film director, an art historian and curator, discussed in the light of the cinematic turn and the formation of common ground between cinema and contemporary art in both ...
Łukasz Ronduda
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Andrew Kötting’s Louyre: This Our Still Life. An Archival Reading

open access: yesDiffractions, 2023
The paper explores the experimental documentary Louyre: This Our Still Life (2011) by the subversive British filmmaker Andrew Kötting, drawing on contemporary conceptualizations of archival art.
Maria Voukena, Ioulia Mermigka
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