Results 201 to 210 of about 39,146 (263)
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Art Journal, 1963
On May 23rd, 1963, a UNESCO Festival and Seminar on Films on Art convened at Ottawa, Ontario. Participants from Canada, England, France, Italy, the Netherlands, the U.S.S.R. and the U.S. viewed films and discussed problems for three days in the pleasant rooms and auditorium of the National Gallery of Canada and other auditoriums in town. Mrs.
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On May 23rd, 1963, a UNESCO Festival and Seminar on Films on Art convened at Ottawa, Ontario. Participants from Canada, England, France, Italy, the Netherlands, the U.S.S.R. and the U.S. viewed films and discussed problems for three days in the pleasant rooms and auditorium of the National Gallery of Canada and other auditoriums in town. Mrs.
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The Sonic Art of Film and the Sonic Arts in Film
2019My goal in this chapter is threefold. First, I argue that film is, at least partly, an art of sound. Most films are not made merely to be seen; they are also made to be heard. This offers an alternative to traditional accounts of film, which take film to be an essentially visual artform, and it suggests new directions for research in philosophy of film.
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Journal of Aesthetic Education, 1969
The plural in my title is not a typographical error, nor in selecting it am I attempting to plagiarize (or satirize) the title of the English translation of Rudolf Arnheim's Film als Kunst.l Rather, I am suggesting that those of us interested in the aesthetics of the film (and, by extension, of television) cease to behave like the blind men who went to
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The plural in my title is not a typographical error, nor in selecting it am I attempting to plagiarize (or satirize) the title of the English translation of Rudolf Arnheim's Film als Kunst.l Rather, I am suggesting that those of us interested in the aesthetics of the film (and, by extension, of television) cease to behave like the blind men who went to
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Film as Art: From Art Theory to Film Theory
Scientific and Social ResearchThis article uses the introduction of the book Film as Art, the definition and interpretation of the concept of “film,” the connotation and extension of “film art,” the necessity and possibility of “film art” research, etc. to analyze China’s important theoretical issues in the development of film theory are sorted out and reflected on.
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2023
Transgressive Art Films offers a holistic approach to the way we consider controversial and extreme cinema – not just as individual or grouped texts for analysis – but as artefacts that ought to be considered within a complex network of social factors.
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Transgressive Art Films offers a holistic approach to the way we consider controversial and extreme cinema – not just as individual or grouped texts for analysis – but as artefacts that ought to be considered within a complex network of social factors.
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Mathematics and Art: The Film Series
2002The “Mathematics and Art” project started in 1976. Or better, that year I started thinking of the project. The reasons why I started thinking of it are essentially two, or perhaps three. The first: in 1976, I was at the University of Trento, in the North of Italy.
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Art Journal, 1972
Universal Studios is currently marketing a share-the-profits film series called “Museum Without Walls.” The scries was highly successful when shown to a general adult evening audience at Northwestern University last spring, and surveys conducted by James Breckenridge, chairman of the Art Department, on the last of five evenings indicated a general ...
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Universal Studios is currently marketing a share-the-profits film series called “Museum Without Walls.” The scries was highly successful when shown to a general adult evening audience at Northwestern University last spring, and surveys conducted by James Breckenridge, chairman of the Art Department, on the last of five evenings indicated a general ...
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Journal of Aesthetic Education, 1984
Literary history perceives Hilda Doolittle (H.D.) primarily as a poet and novelist. But this view is somewhat incomplete, for her creative activities ranged further than this. From 1927 to 1930, H.D. was devoting much of her energy to film-criticizing, acting in, and writing poems about this twentieth-century art form. Moreover, for H.D.
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Literary history perceives Hilda Doolittle (H.D.) primarily as a poet and novelist. But this view is somewhat incomplete, for her creative activities ranged further than this. From 1927 to 1930, H.D. was devoting much of her energy to film-criticizing, acting in, and writing poems about this twentieth-century art form. Moreover, for H.D.
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Organised Sound, 2009
The use of sound for representation and narrative may go beyond what we might conventionally term musical. Film has gradually brought into focus the practice of sound art as something distinct from music yet existing at the end of a unified continuum between abstraction and representation.
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The use of sound for representation and narrative may go beyond what we might conventionally term musical. Film has gradually brought into focus the practice of sound art as something distinct from music yet existing at the end of a unified continuum between abstraction and representation.
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2020
Short synopsis: Drawing on case histories and academic research, Film argues that on-screen storytelling is the most ubiquitous form for art to intersect with health and well-being. The book shows how film can be utilized and enjoyed by clinicians, individuals and carers, by societies themselves and as a tool for fighting the stigma of illness.
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Short synopsis: Drawing on case histories and academic research, Film argues that on-screen storytelling is the most ubiquitous form for art to intersect with health and well-being. The book shows how film can be utilized and enjoyed by clinicians, individuals and carers, by societies themselves and as a tool for fighting the stigma of illness.
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