Results 1 to 10 of about 60,015 (220)

“That Old Black Magic”: Noir and Music in Juan Díaz Canales and Juanjo Guarnido’s Blacksad [PDF]

The Comics Grid: Journal of Comics Scholarship, 2019
Juan Díaz Canales and Juanjo Guarnido’s Blacksad is a comic series that evokes the noir tradition through thematic and visual callbacks to noir films and comics. As they use noir tropes, the comics illuminate the tensions in both noir and comics.
Hailey J. Austin
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“BLACK MOVIES”: GENRE MEMORY OF THE NOIR FILM LANGUAGE IN THE SYSTEM OF AUDIOVISUAL TRANSFORMATIONS (1970s – 2010s)

Вісник Харківського національного університету імені В.Н. Каразіна. Серия: Теорія культури та філософіі науки, 2021
The issue of “genre memory” in the noir film language is one of the most relevant problems in the modern study of “black” cinema evolution. In spite of the fact that in the recent years, noir has significantly expanded its traditional artistic “cover ...
Nataliia Markhaichuk, Natalia Riabukha, Volodumur Tarasov   +2 more
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The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959

Latin American Research Review, 2023
International reconsideration of Mexican film noir is a recent phenomenon. For decades, Mexican film criticism tended to dismiss the importance of this tradition and even to deny its existence, often citing the presence of melodramatic elements in would ...
Daniel Chávez Landeros
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Bezdroża i długie trwanie filmu „noir”

Kwartalnik Filmowy, 2023
Książka Patrycji Włodek „Wszystko noir?”. O inspiracjach i wariantach – życie po życiu film noir (2022) jest analizą wybranych aspektów czarnego kryminału łączącą refleksję nad kinem klasycznym z omówieniem najnowszych dzieł gatunku.
Sebastian Smoliński
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Identifying the Unknown Girl

Akademisk Kvarter, 2021
This article critically analyses La fille inconnue/The Unknown Girl (Jean-Pierre Dardenne and Luc Dardenne, 2016) as a genre film that operates through a transnational mix of references to the French noir and neo-noir traditions.
Jamie Nicholas Steele
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Late Modernist Noirs: Béla Tarr’s Damnation/ Kárhozat and György Fehér’s Passion/ Szenvedély [PDF]

Caietele Echinox, 2022
Since the 80s, a large number of films, manifestly indebted to the classic American noir films of the 40s and 50s, have been appropriately labeled neo-noirs.
Radu Toderici
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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales

Transatlantica, 2012
According to the established historiography, the generic label “film noir” was used in France in 1946 to refer to a series of Hollywood crime fictions produced in the 1940s and 1950s.
Thomas Pillard
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Kvinner, krig og kjærlighet. Torborg Nedreaas’ novellesamling Bak skapet står øksen (1945) i lys av film noir

Edda, 2020
Sammendrag Torborg Nedreaas’ novellesamling Bak skapet står øksen (1945) skildrer forholdene i Norge under den tyske okkupasjonen (1940–45). Denne artikkelen viser at stilen i novellesamlingen ligner på den som utmerker samtidens film noir og
Christine Hamm
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Film review of Latin Noir

European Review of Latin American and Caribbean Studies, 2021
'Latin Noir', directed by Andreas Apostolidis, Greece, France and Mexico ...
Pablo Piccato
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The Usual Suspects or the potency of falsity

Mise au Point, 2014
This essay seeks to contextualize Bryan Singer’s film The Usual Suspects within the general frame of generic references to noir and neo-noir traditions. Using these references to manipulate the spectator, the film works to redefine our approach to genre ...
Christophe Gelly
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