Results 11 to 20 of about 60,015 (220)

Leaf seasonal osmotic adjustment is not driven by temperature or water deficit. [PDF]

Plant J
SUMMARY Osmotic adjustment (OA), the active accumulation of osmolytes in plant cells, plays a crucial role in plant‐drought response. OA occurs throughout the growing season, but the seasonal effects of temperature and water status on OA remain unclear. We investigated grapevine (Vitis vinifera) leaves' regulation of osmotic potential over time, across
Farolfi E, Kulhánková A, De Berardinis F, Tarnay SL, Gambetta GA, Hochberg U, Forneck A, Herrera JC.   +7 more
europepmc   +2 more sources

Commodity risk assessment of <i>Vitis</i> spp. plants from Moldova. [PDF]

EFSA J
Abstract The European Commission requests EFSA to provide scientific opinions in the field of plant health in accordance with Article 29 of Regulation (EC) No 178/2002. Annex VI of Commission Implementing Regulation (EU) 2019/2072 lists plants, plant products and other objects whose introduction into the Union from certain third countries is prohibited.
EFSA Panel on Plant Health (PLH), Civera AV, Baptista P, Chatzivassiliou E, Cubero J, Cunniffe N, de la Peña E, Desneux N, Filipiak A, Gonthier P, Hasiów-Jaroszewska B, Jactel H, Landa BB, Maistrello L, Makowski D, Milonas P, Papadopoulos NT, Potting R, Susi H, van der Gaag DJ, Gómez P, Justesen AF, Lucchi A, Urek G, Yuen J, Zappala L, Bernardo U, Bubici G, Carluccio AV, Chiumenti M, Di Serio F, Fanelli E, Kariampa P, Marzachì C, Kaczmarek A, Matic L, Mosbach-Schulz O, Berlin A.   +37 more
europepmc   +2 more sources

I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959) [PDF]

, 2017
Franz Waxman composed over 150 film scores, the most famous of which is Billy Wilder’s film noir Sunset Boulevard (1950). The film plot bears a striking resemblance to Rod Serling’s teleplay for The Twilight Zone, “The Sixteen-Millimeter Shrine” (1959 ...
Reba Wissner
core   +1 more source

Censoring and Selling Film Noir

Between, 2015
Film noir is known for its duplicity. Industry censors considered 1940s noir cinema provocative, salacious and ‘sordid.’ Hollywood studios walked a fine line between appearing to comply with Hays office Production Code censorship while simultaneously ...
Sheri Chinen Biesen
doaj   +1 more source

Traces du film noir dans Lolita, Stanley Kubrick, 1962

Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2010
By looking at the influence film noir has exerted upon Kubrick’s Lolita, this article strives to show that Kubrick has undermined the generic conventions of film noir as well as of other film genres, in a devious attempt to displace the subversive ...
Cristelle Maury
doaj   +1 more source

Dark Borders: Film Noir and American Citizenship, by Jonathan Auerbach

Alphaville: Journal of Film and Screen Media, 2014
Over the past few decades, many scholars of film noir have displayed a certain repetition compulsion, often proclaiming as their starting standpoint the very incongruity of defining film noir as a genre because of its resistance to being labelled as such.
Christina Parker-Flynn
doaj   +1 more source

Paranoja „noir”. Ukryta rzeczywistość czarnego kryminału

Kwartalnik Filmowy, 2022
Paranoja jest częstym tematem filmowo-serialowym, ujawniającym się zarówno w udramatyzowanych reprezentacjach zaburzeń, jak i w narracjach spiskowych.
Patrycja Włodek
doaj   +1 more source

Les influences du film noir américain sur les bandes dessinées pseudo-préhistoriques de Philippe Foerster [PDF]

Synergies Espagne, 2021
Les albums de la série Silex Files du Belge Philippe Foerster – Chaînons manquants (2002), Le Silence des fossiles (2003) et Psycho-Sapiens (2004) – constituent un exemple original de transmédialité.
Isabelle Moreels, José Julio García Arranz   +1 more
doaj  

La estrella del melodrama como heroína noir: La huella de unos labios (1952) / The melodrama star as a noir film heroine: The Trace of Some Lips (1952)

Balajú, 2018
Este trabajo reexamina La huella de unos labios (Juan Bustillo Oro, 1952), una poco conocida adaptación mexicana del autor de historias de suspenso Cornell Woolrich, y considera la película dentro de varios contextos: las heroínas de otras adaptaciones ...
Roberto Carlos Ortiz
doaj   +1 more source

Transcultural Appropriation and Aesthetic Breakthrough of Hollywood Film Noir in Contemporary Taiwan Suspense Thriller Films: A Case Study of Who Killed Cock Robin (2017)

Arts
The production of suspense thriller films has recently surged in Taiwan. These films adopt narrative techniques and visual aesthetics reminiscent of classic and neo-noir Hollywood cinema but also address social issues in Taiwan and represent ...
Xinchen Zhu
doaj   +1 more source