Results 21 to 30 of about 647,066 (316)

Film Policies and Film Production in Spain during the Economic Crisis (2007–2017)

open access: yesPalabra Clave, 2021
Europe’s leading film-producing countries are France, Germany, Italy, Spain, and the United Kingdom. They were all hit by the global economic crisis, which had a particularly severe impact on Europe in 2010–2012.
María-Jesús Díaz-González   +1 more
doaj   +1 more source

Introduction:film policy in a globalised cultural economy [PDF]

open access: yes, 2016
This special issue on ‘Film Policy in a Globalised Cultural Economy’ is devoted to the changing economic and technological context in which filmmaking occurs, the policy responses that these changes have generated and their consequences for the pursuit ...
Hesmondhalgh D.   +2 more
core   +1 more source

A Journey in Capacity Building: Revisiting the Mullins Framework for Meaningfully Engaging Patients in Patient Centered Outcomes Research

open access: yesFrontiers in Public Health, 2018
This paper reviews the implementation of the UNITE for Better Health Outcomes Eugene Washington PCORI Engagement Award project using Mullins and colleagues' Framework for Meaningfully Engaging Patients in Patient Centered Outcomes Research (PCOR) and the
M. Paige Powell   +2 more
doaj   +1 more source

National cinema or creative industries? Film policy in transition [PDF]

open access: yes, 2004
In 2002, ‘film’ consolidated a position within municipal governance as part of the Brisbane City Council’s economic development program based on the ‘new economy’ understanding of the role of the city as the physical location of commercial and cultural ...
Ward, Susan
core   +1 more source

Film(making) education for all? British cultural policy and film education

open access: yesFilm Education Journal, 2020
Since the late 1990s various consortia have published papers and reports seeking to establish a systemic public film education in Britain. Despite the time and effort taken by colleagues in organizations such as the British Film Institute (BFI), who ...
doaj   +2 more sources

Between scenes: Glasgow’s alternative film spaces in the 1990s

open access: yesNECSUS, 2019
This article focuses on previously undocumented film initiatives that emerged within counter-cultural scenes in Glasgow, presenting the case study of New Visions, a film and video festival established in 1992.
Alexandra-Maria Colta   +1 more
doaj   +1 more source

Characteristics of the Polish film press market in the academic literature: from the first film journals until 1939

open access: yesZ Badań nad Książką i Księgozbiorami Historycznymi, 2020
The Polish film press in the first half of the 20th century (1913-1939) tried to find its place in the Polish publishing market. Inspired by film thought and still developing Polish and global cinematography, the Polish press wanted to uphold true art ...
Anita Zawisza
doaj   +1 more source

An Analysis of the Turkish Education Policy Adopted between 1970 and 1980: Hababam Sınıfı Sample

open access: yesUluslararası Türk Eğitim Bilimleri Dergisi, 2023
Although cinema reflects the culture of the society it is found, it cannot be said that its sole function is to reflect this culture. Cinema also questions the education policy applied in that society, the education system, and its point of view towards ...
Gözde Eken Taşkaya
doaj   +1 more source

Film Policies in Transition [PDF]

open access: yesAlphaville: Journal of Film and Screen Media, 2018
In November 2016, the International Journal of Cultural Policy published a special issue on “Film Policy in a Globalised Cultural Economy” which focused on policy responses to recent changes in the economic and technological contexts of filmmaking practices worldwide (Hill and Kawashima). To mark the publication of this special issue, editors John Hill
openaire   +2 more sources

Film Audiences: Personal Journeys with Film, by Bridgette Wessels, Peter Merrington, Matthew Hanchard and David Forrest with the Beyond the Multiplex Team. Manchester University Press, 2022, 304 pp.

open access: yesAlphaville: Journal of Film and Screen Media
The question of audience formation has, at times, been neglected in film studies, in favour of auteur-centric interests, sociopolitical commentary, and textual analysis.
M. Sellers Johnson
doaj   +1 more source

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