Results 21 to 30 of about 635,883 (307)
Communicating the ideas and attitudes of spying in film music: A social semiotic approach [PDF]
, 2014 Taking the example of two 1960s popular spy films this paper explores how social semiotics can make a contribution to the analysis of film music. Following other scholars who have sought to create inventories of sound meanings to help us break down the ...
Griffith, F, Machin, D
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Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel
Open Screens, 2023 Teaching film often involves un-learning previously taught histories of cinema to find instead ‘herstories’ (Dovey, 2018) and theirstories of cinema. This video essay constitutes an illustrative example of this practice, showing how Lebanese woman-led ...
Estrella Sendra
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Documenting Horror: The Use of Sound in Non-Fiction 9/11 Films
Altre Modernità, 2011 While conventional 9/11 documentaries focus on the most known and visible images of the attack, three films that work against this tendency, 9/11 (2002), 11'09''01 - September 11 (2002) and Fahrenheit 9/11 (2004), avoid the television news coverage of
Jesse Schlotterbeck
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Wave Propagation In Water-Saturated Sand And Grain Contact Physics [PDF]
, 2010 Measurements in sandy ocean sediments over a broad range of frequencies show that the sound speed dispersion is significantly greater than that predicted by the Biot-Stoll model with constant coefficients, and the observed sound attenuation does not seem
Chotiros, N. P., Isakson, M. J.
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The use of sound and film as rebranding strategies in two Danish port cities
NECSUS, 2023 Through two Danish case studies, we investigate how the media of sound and film production are used in port city branding and transformation: in the port city of Struer through a somewhat unconventional branding strategy called ‘The City of Sound’; and ...
Ida Sofie Gøtzsche Lange +2 more
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, 2023 Mitte der 70er Jahre begann sich das ästhetische Vokabular des Filmtons auffällig zu verändern. Plötzlich sausten kreischende Jets über die Köpfe des Publikums und Hubschrauber durchflogen alle vier Quadranten des Kinoraums. Neu erschienen auch das Dolby-Stereo-Logo und die Berufsbezeichnung Sound Designer auf der Leinwand.
Flückiger, Barbara, virtual::7527, -1
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Genhør med dogme 95 [Dogme 95 reheard]
MedieKultur: Journal of Media and Communication Research, 2010 Assuming that the 10 Danish Dogma films can be considered genre films, the article analyses the use of sound and music in these films. The “Vow of Chastity” proposed by the Dogma directors specifies that sound and image must never be produced separately,
Palle Schantz Lauridsen
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MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2018 The film image is the fusion of some components (image, music, sound effects, dialogue) made through editing, a means of expression that transfigures reality into an audiovisual image.
BURUIANĂ ANDREI
doaj
Encountering sound: the musical dimensions of silent cinema
Journal of Aesthetics & Culture, 2018 This article identifies silent film soundtracks as evidence of the tensions between old and new audiovisual cultures, and examines the distinctions between our experience of live and mediated cinema through contemporary modes of presentation.
Paul Cuff
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Feeling and filmmaking : the design and affect of film sound [PDF]
, 2017 Discussion of cinematic affect most typically attends to response, the impact of the film as we experience it. In this vein, various writers have drawn attention to the physicality of hearing (Sobchack 2005; Cubitt 1998), while others have illuminated ...
Donaldson, Lucy Fife
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