Results 211 to 220 of about 19,805 (262)
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The style of Ingmar Bergman’s films
New Review of Film and Television Studies, 2020This analysis of the style of Ingmar Bergman’s films uses methods of treating film style that were first proposed and put into practice over 40 years ago by the author.
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The Concepts of Film Language and Style in Film Theory
Rotura – Revista de Comunicação, Cultura e Artes, v. 5 n.Jumabekov, Yerzhan +4 more
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Expression, Projection and Style in Film
2004Freud remarks in his paper ‘The Moses of Michelangelo’: In my opinion, what grips us so powerfully can only be the artist’s intention, in so far as he has succeeded in expressing it in his work and in getting us to understand it. I realize that this cannot be merely a matter of intellectual comprehension; what he aims at is to awaken in us the same ...
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Advice on Specific Styles of Filming
2018The last few chapters expanded discussions about the basics of filming to greater details – composition, light, steady hands, focal length, angles, and so much more. These are the foundations for capturing persuasive clips. Helpful hints and directions go a long way when filming; however, there is more to filming than just understanding how to use your
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Film Style and Technology in the Thirties
Film Quarterly, 1976This article, carrying on from the analysis of the thirties begun in F i lm Quarterly for Fall 1976, describes technical developments that had a visible effect on films of the forties. It also examines certain independent formal trends, particularly that toward the long take, and provides new information on "reverse-angle" cutting, about which debate ...
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Copyright and film: the impact of style
2023The modern landscape of the film industry has facilitated an erosion of originality, in respect of both content and style. With significantly greater emphasis placed on the profitability of blockbuster cinema, the underlying creative process is now characterised largely by a crosspollination of ideas and appropriation of specific stylistic choices ...
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2019
Contrary to what has sometimes been said, there never was a single narrative or visual style of film noir, even in the 1940s. The major directors played the movie game in slightly different ways and each of the studios also had something of their own style because of the photographers, designers, and musical composers they employed.
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Contrary to what has sometimes been said, there never was a single narrative or visual style of film noir, even in the 1940s. The major directors played the movie game in slightly different ways and each of the studios also had something of their own style because of the photographers, designers, and musical composers they employed.
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Filming improvisation: Jazz criticism’s neglect of film style
Soundtrack, The, 2013Abstract How is jazz filmed? This article argues that jazz criticism has prioritized the musical and historical authenticity of jazz films, but has neglected the ways in which film style creates and comments upon scenes of improvisation. How do films about jazz negotiate the ‘now’ of diegetic improvisation and the ‘then’ of the recorded,
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Bookreview On the history of film style
Iris, 1999On the history of film ...
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