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The style of Ingmar Bergman’s films
New Review of Film and Television Studies, 2020This analysis of the style of Ingmar Bergman’s films uses methods of treating film style that were first proposed and put into practice over 40 years ago by the author.
Barry Salt
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Style and Form in the Hollywood Slasher Film
2015This book, edited by Wickham Clayton, fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.
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2020
Abstract The fourth chapter of Style in Narrative turns from literature to cinema. Since a great deal of style is common to both literature and film, this chapter is necessarily shorter than its counterpart (chapter 1). Moreover, it focuses on the differences between literary and film style, thus what is not common to the two.
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Abstract The fourth chapter of Style in Narrative turns from literature to cinema. Since a great deal of style is common to both literature and film, this chapter is necessarily shorter than its counterpart (chapter 1). Moreover, it focuses on the differences between literary and film style, thus what is not common to the two.
openaire +1 more source
2014
As mentioned in the introduction, recent film theory has been afraid of using the notion of the auteur and is quite dismissive of the Nouvelle Vague’s belief in style as marking the most salient thematic and formal characteristics of some filmmakers. This critical attitude is in line with the rejection of subjectivity that was thematized by the most ...
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As mentioned in the introduction, recent film theory has been afraid of using the notion of the auteur and is quite dismissive of the Nouvelle Vague’s belief in style as marking the most salient thematic and formal characteristics of some filmmakers. This critical attitude is in line with the rejection of subjectivity that was thematized by the most ...
openaire +2 more sources