Results 241 to 250 of about 2,253,350 (292)
Some of the next articles are maybe not open access.
The Film Style of Xavier Dolan
Yixin Publisher, 2023泽维尔·多兰是以其独特的个人风格而闻名的年轻导演，他在创作中不断探索艺术表达与个人经历的融合，使自己成为加拿大魁北克电影界的杰出人物。在他的作品中，母子关系是一个被反复提及和呈现的中心主题。本文旨在分析泽维尔·多兰的两部电影《我杀了我的母亲》（2009 年）和《妈妈》（2014 年）中对母亲角色的刻画，加之作品对比与个人经历的分析，深入探讨其电影美学的独特性。本文力图通过泽维尔·多兰对母亲形象的塑造与呈现来追溯其电影风格的演变，其中涵盖了艺术表现、构图变化和音乐内涵，并最终从个人视角传达其电影的艺术性。
openaire +1 more source
The Concepts of Film Language and Style in Film Theory
Rotura – Revista de Comunicação, Cultura e Artes, v. 5 n.Jumabekov, Yerzhan +4 more
openaire +1 more source
Film Style and Technology in the Thirties
Film Quarterly, 1976This article, carrying on from the analysis of the thirties begun in F i lm Quarterly for Fall 1976, describes technical developments that had a visible effect on films of the forties. It also examines certain independent formal trends, particularly that toward the long take, and provides new information on "reverse-angle" cutting, about which debate ...
openaire +1 more source
Expression, Projection and Style in Film
2004Freud remarks in his paper ‘The Moses of Michelangelo’: In my opinion, what grips us so powerfully can only be the artist’s intention, in so far as he has succeeded in expressing it in his work and in getting us to understand it. I realize that this cannot be merely a matter of intellectual comprehension; what he aims at is to awaken in us the same ...
openaire +1 more source
Filming improvisation: Jazz criticism’s neglect of film style
Soundtrack, The, 2013Abstract How is jazz filmed? This article argues that jazz criticism has prioritized the musical and historical authenticity of jazz films, but has neglected the ways in which film style creates and comments upon scenes of improvisation. How do films about jazz negotiate the ‘now’ of diegetic improvisation and the ‘then’ of the recorded,
openaire +1 more source
Copyright and film: the impact of style
2022The modern landscape of the film industry has facilitated an erosion of originality, in respect of both content and style. With significantly greater emphasis placed on the profitability of blockbuster cinema, the underlying creative process is now characterised largely by a crosspollination of ideas and appropriation of specific stylistic choices ...
openaire +1 more source
2019
Contrary to what has sometimes been said, there never was a single narrative or visual style of film noir, even in the 1940s. The major directors played the movie game in slightly different ways and each of the studios also had something of their own style because of the photographers, designers, and musical composers they employed.
openaire +1 more source
Contrary to what has sometimes been said, there never was a single narrative or visual style of film noir, even in the 1940s. The major directors played the movie game in slightly different ways and each of the studios also had something of their own style because of the photographers, designers, and musical composers they employed.
openaire +1 more source
Bookreview On the history of film style
Iris, 1999On the history of film ...
openaire +1 more source
Advice on Specific Styles of Filming
2018The last few chapters expanded discussions about the basics of filming to greater details – composition, light, steady hands, focal length, angles, and so much more. These are the foundations for capturing persuasive clips. Helpful hints and directions go a long way when filming; however, there is more to filming than just understanding how to use your
openaire +1 more source
A Style-Sensitive Approach to Religion and Film
Numen, 2012AbstractReligion and film courses have become popular additions to undergraduate course calendars. However, this relatively new discipline still lacks methodological sophistication. The present study proposes that instructors and critics should begin to afford attention to the ways in which films articulate meaning through their audio-visual, stylistic
openaire +1 more source