Results 31 to 40 of about 64,730 (265)

Noiva, criada, ciborgue: monstruosidade e gênero no Frankenstein de M. S.

Viso, 2019
O artigo propõe uma leitura de Frankenstein (1818), de Mary Shelley, por meio de algumas de suas figuras femininas ou feminizadas, de modo a sugerir, em diálogo com autoras e autores como Halberstam, Mellor, Riskin e Haraway, uma interpretação da ...
Juliana Fausto
doaj   +1 more source

Haunted by a Monster: Mary Shelley’s Translation of Apuleius and “Frankenstein” [PDF]

Parole Rubate, 2019
Focusing on Mary Shelley’s 1817 translation of the tale of Cupid and Psyche as told by Apuleius in his Metamorphoses, this article explores how Mary’s rendering is seemingly interspersed with echoes of her recently completed masterpiece, Frankenstein ...
Chiara Rolli
doaj  

Introducción al Homenaje a Mary Shelley

Alambique, 2020
La idea de homenajear a Mary Shelley y su pulsión creativa apunta precisamente a mostrar el lado productivo y feminista del monstruo en las letras contemporáneas.
Giovanna Rivero, M. Elizabeth Ginway
doaj   +1 more source

The Grotesque Characters in Frankenstein in Baghdad By Ahmad Saadawi

مجلة جامعة كويه للعلوم الانسانية والاجتماعية, 2018
The novel (Frankenstein in Baghdad) abounds with a good number of grotesque characters that are often difficult to predict as the novelist did not adopt the archetypal techniques of narration of the events, the text is moving in an overly circular mode ...
Sabah K. Maulwd
doaj   +1 more source

‘I don’t want him in my heart. I want him here with me’: On Tim Burton’s Frankenweenie (2012) [PDF]

HyperCultura, 2021
Frankenweenie (2012) is amongst the most personal films directed by Tim Burton because it reflects the director’s visual aesthetics and thematic obsessions, while also being a composite of different bodies: monstrous, anomalous, literary and cinematic ...
José Duarte, Ana Rita Martins
doaj  

Frankenstein: a monstrous romanticism [PDF]

, 2010
Includes bibliographical references.The purpose of this thesis is to examine the relationship between Mary Shelley's first novel Frankenstein and her own understanding of Romanticism.
Königkrämer, Lobke
core  

‘From the Fields Into the Bars’: The Story of Israel's First Transgender Novel, The Cut (1977)

Gender &History, EarlyView.
ABSTRACT In 1977, an Israeli transgender woman, Judy Spotheim, published an autobiographical novel entitled The Cut. It describes the emergence of a trans community in the commercial‐sex areas of Tel Aviv‐Jaffa, hoping to humanise trans women (coccinelles). This article is the first to study the novel and present a biography of Spotheim.
Gil Engelstein, Iris Rachamimov
wiley   +1 more source

A Comparative Study of Gender Language in Pride and Prejudice and Frankenstein Novels [PDF]

, 2013
This study deals with the similarities and differences of gender language expressed in Pride and Prejudice and Frankenstein Novels. The object of this study is to find out the similarities and differences of gender language which are expressed in Pride ...
Silitonga, S. (Safriana), Tangkas, I. W. (I)   +1 more
core  

Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931

Journal for Eighteenth-Century Studies, EarlyView.
Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
wiley   +1 more source

The Fallen Adams: An Intertextual Analysis on Frankenstein and Yaratılan

Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi
Frankenstein (1818), written by Mary Shelley, has been relentlessly adapted for all forms of art since it was written. One such form is a recent television drama series that has re-envisioned Frankenstein for a Turkish audiences.
Senem Üstün Kaya
doaj   +1 more source