Results 11 to 20 of about 105,031 (277)
The Creative Voice: Free Indirect Speech in the Cinema of Rohmer and Bresson [PDF]
This article examines a particular use of the voice in cinema which conveys character reflexivity and generates expressive ambiguity in a film's narrative point of view. Drawing on Pasolini's notion of the free indirect style and Deleuze's elaboration of this into his concept of the free indirect speech-act, two different creative uses of speech are ...
David Heinemann
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The Rhythm and the Free Indirect Speech in Remizov’s Novel Pond
Polina A. Voron
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The authors of the article consider Marina Tsvetaeva’s prose from the point of view of the relationship between the concepts of “norm” and “anomaly”, one of the topical issues of contemporary linguistics. The authors stress the importance of the topic in
Olga Pavlovna Puchinina +1 more
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Thought in Thought as a Form of Free-indirect Speech in Margarette Drabble’s Novels
I. B. Kauza
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The indications of the free indirect speech in French in the XIXth century: a topical didactic issue [PDF]
Sonja Špadijer
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Contrastive Analysis of the Realisations of Free Indirect Speech in the Spanish and Serbian Languages [PDF]
M. Aleksić
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Prerequisites for self-organization of free indirect speech in artistic discourse
Lidiia Pikhtovnikova
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The article analyzes the most typical cases of introducing free indirect speech in the Russian translation where there are no corresponding structures in the English original. Typical non-free-indirectspeech structures and contexts in the source text are
A. D. Alimova
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The purpose of this work is to identify the character features of the uttered free indirect speech in the prose works of Marina Tsvetaeva (stories, novels and letters) and to analyze its functioning in the author’s text field.
Alevtina Leonidovna Kormiltseva +1 more
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How Quotation Types Shape Classic Novel Reading in Chinese: A Comparison Between Human Eye-Movements and Large Language Models [PDF]
Quotations play a central role in shaping narrative perspective, as they guide readers’ adoption and shifting of character and narrator viewpoints. While direct speech (DS) is often assumed to enhance vividness and emotional engagement, its cognitive ...
Lijuan Chen, Wenjia Zuo, Xiaodong Xu
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