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The Rhythm and the Free Indirect Speech. A Few Comments
2023The article discusses the interaction of rhythm and narrative strategy. Free indirect speech is a complex phenomenon, sometimes devoid of bright markers of the transition to the character’s inner mental space. Metric changes, change of breath expressed in the rhythm, are considered as one of the ways of “switching” from the author’s speech to the ...
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Chapter Eight Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending
Anna Bonifazi
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2020
This chapter explores speech representation structures in Early Modern English that exhibit a mixture of direct speech and indirect speech. Drawing data from an Electronic Text Edition of Depositions 1560–1760 (ETED), we chart the frequency and characteristics of different types of speech representation that overlap between direct and indirect speech ...
Terry Walker, Peter J. Grund
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This chapter explores speech representation structures in Early Modern English that exhibit a mixture of direct speech and indirect speech. Drawing data from an Electronic Text Edition of Depositions 1560–1760 (ETED), we chart the frequency and characteristics of different types of speech representation that overlap between direct and indirect speech ...
Terry Walker, Peter J. Grund
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Visions of the Other and free indirect speech in Artistic Discourse Bakhtin, Pasolini, Deleuze
Southern Semiotic Review, 2015The relation between one’s own vision of the world and that of others finds expression in different types of reported speech—direct, indirect, and free indirect. Interplay between one’s own word and another’s word is strongest in free indirect discourse where internal dialogism of the word is particularly evident.
PONZIO, Augusto, PETRILLI, Susan Angela
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Language and Literature: International Journal of Stylistics, 2007
Although they have been characterized in terms of the mixture of a protagonist's and the narrator's voices, the formal specifications of the free indirect forms of speech and thought presentation are not always applicable to actual cases, and the decision to make a free indirect speech (FIS) or free indirect thought (FIT) reading mainly depends on the
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Although they have been characterized in terms of the mixture of a protagonist's and the narrator's voices, the formal specifications of the free indirect forms of speech and thought presentation are not always applicable to actual cases, and the decision to make a free indirect speech (FIS) or free indirect thought (FIT) reading mainly depends on the
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Free Indirect Speech and Jane Austen's 1816 Revision of Northanger Abbey
Studies in English Literature, 1500-1900, 1990Northanger Abbey is conspicuous in the Austen canon in that its genesis is problematical, its publication history checkered. On the cumulative evidence of Cassandra's memorandum, the "Advertisement by the Authoress" prefixed to the 1818 edition, and strategic references contained in correspondence, two salutary facts can be deduced: that Jane Austen ...
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Chapter 6. Spatiotemporal deixis and expressivity in free and distancing indirect speech or thought
Lieven Vandelanotte
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Telepaths and Mountebanks: some notes on the riddle of free indirect speech
2023Revue Langues et Littératures, Vol. 4 (1985)
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Simulating prosody in free indirect speech
2015Direct speech is more vivid and expressive than indirect speech because it involves the demonstration of a speech act rather than just a description that seems to pattern with direct speech in many respects, including, anecdotally, prosody. Based on Yao and Scheepers’s finding that readers adjust their reading rate to the contextually implied speech ...
Maier, Emar +2 more
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