‘Deixis am phantasma’ or imagination-oriented deixis is a mode of reference, originally described by Karl Bühler, that directly brings into play one of the distinctive properties of human language, namely the unlimited capacity to dislocate in space and
Emilia Maria Calaresu
doaj
Terrorizing Advocacy and the First Amendment: Free Expression and the Fallacy of Mutual Exclusivity [PDF]
Traditional free speech doctrine is inadequate to account for modern terrorist speech. Unprotected threats and substantially protected lawful advocacy are not mutually exclusive.
Fisher, Matthew, Redish, Martin H.
core +2 more sources
Government funding of non-governmental organisations and the implied freedom of political communication: the constitutionalityof gag clause [PDF]
This article considers the growing use of clauses in funding contracts with NGOs restricting their ability to engage in advocacy or contribute to public debate on contentious political issues.
Gray, Anthony
core +2 more sources
The Politeness Prosody of the Javanese Directive Speech [PDF]
This experimental phonetic research deals with the prosodies of directive speech in Javanese. The research procedures were: (1) speech production, (2) acoustic analysis, and (3) perception test.
Rahyono, F. X. (F)
core +1 more source
The Creative Voice: Free Indirect Speech in the Cinema of Rohmer and Bresson [PDF]
This article examines a particular use of the voice in cinema which conveys character reflexivity and generates expressive ambiguity in a film's narrative point of view. Drawing on Pasolini's notion of the free indirect style and Deleuze's elaboration of this into his concept of the free indirect speech-act, two different creative uses of speech are ...
openaire +1 more source
Fictionnal wirting at school as the meeting of the language of the other
This article is aimed to show one aspect of the imaginative capacity of pupils – the meeting with the discourse of the other – through the representation of speech.
Catherine Boré
doaj +1 more source
Speech Acts: The Contemporary Theoretical Landscape [PDF]
What makes it the case that an utterance constitutes an illocutionary act of a given kind? This is the central question of speech-act theory. Answers to it—i.e., theories of speech acts—have proliferated.
Fogal, Daniel +2 more
core
Traversing the speech and thought presentation features of Merlinda Bobis’s “The Sadness Collector” [PDF]
This study aims to describe the effects of stylistic features in extrapolating the meaning and sociocultural realm of Merlinda Bobis’s short story, “The Sadness Collector.” The story’s theme, the breakdown of a family brought about by migration, is ...
Rachelle B. Lintao
doaj
Reliable Words Third Person Pronouns in Indonesian News Reports [PDF]
This article examines uses of Indonesian third person singular pronouns ia and dia in news reports. It takes as its departure point the general account of the pronouns which specifies that ia can occur only in subject position, while dia can occur in ...
Djenar, D. N. (Dwi)
core
Rhapsodie flaubertienne. Le tempo discursif dans Madame Bovary
Flaubert’s literary practice reveals his obsessive desire for a sentence that must be like a ‘good verse, unchanging, as rhythmic, as sonorous’. This work of stylistic finesse is interwoven with the work of representing the characters’speech. By focusing
Carlotta Contrini
doaj +1 more source

