Z dziejów francuskiej debaty o kinie stalinowskim [PDF]
Images, 2016 From the French debate about Stalinist cinema Through the juxtaposition of texts by Andre Bazin and Georges Sadoul, the author reconstructs a stormy debate on the reception of Soviet cinema from the Stalinist era in 1950s France.
TADEUSZ SZCZEPAŃSKI
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“Such is the Custom in VGIK.” Annotated Catalogue of Early Films from the Archive of Irina Zhigalko (part 2) [PDF]
Телекинет, 2022 A continued publication (part 2) of the annotated catalogue of early foreign and Russian films from the collection of Irina Zhigalko (1912–1976), an art history PhD, director, assistant to Mikhail Romm, and associate professor at the Gerasimov Institute
Krasnova, G. V
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“Such is the Custom in VGIK.” Annotated Catalogue of Early Films from the Archive of Irina Zhigalko (part 3) [PDF]
Телекинет, 2022 We are completing (see Telekinet, 2022, no. 2(19), Telekinet, 2022, no. 3(20)) the publication of an annotated catalogue of early foreign and Russian films from the collection of Irina Zhigalko (1912–1976), an art history PhD, director, assistant to ...
Krasnova, G. V
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Government and Cinema in France: How to Stand Up against American Cinema [PDF]
Taḥqīqāt-i Farhangī-i Īrān, 2008 Cinema is the most influential cultural instrument in the contemporary world. The seventh art first brought culture in theaters and then in homes by T.V. and modern audio – visual devices.
Hojatollah Ayoobi
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Edgar Morin et les théories sociales du cinéma en France
Revue d’Histoire des Sciences Humaines, 2021 Edgar Morin’s ideas on cinema, mainly from the 1950s, were long considered original. In order to pinpoint their specificity, this study goes back over Morin’s career, from his discovery of cinema between the wars and his activities in the Resistance to ...
Valérie Vignaux
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Les cinémas indépendants comme espaces de vie sociale, culturelle et citoyenne en Seine-Saint-Denis
Territoire en Mouvement, 2023 The cinema can be understood through multiple aspects: art, a machine or a space. The cinematographic space is a social space where the community shares a common experience.
Charles Marques
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Sorrentino, Loro and the Others: The contemporary Italian Auteur in the French Context
Cinergie, 2020 This article analyses the circulation and reception of Paolo Sorrentino’s Loro/Silvio et les autres (2018) in France, as a case study that complements recent surveys of contemporary Italian cinema’s global impact.
Valerio Coladonato
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Reading the geographies of post-war British film culture through the reception of French film [PDF]
, 2013 This paper examines the ways in which British specialist film culture anticipated and received the resumed supply of French films at the end of the Second World War.
Acland Charles +16 more
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Mise au Point, 2016 This paper examines the ideological and theoretical roots of a long-term quarrel between the intellectual criticism and the French University. The inquiry starts with recent statements and papers from French critics, such as the issue 698 of the Cahiers ...
Mathias Kusnierz
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Nationalism and the cinema in France: political mythologies and film events, 1945-1995 [PDF]
, 2015 Hugo Frey opens his book Nationalism and the cinema in France by positioning it as complementary to the rise of scholarship on the transnational dimensions of cinema.
Willems, Gertjan
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