Results 21 to 30 of about 1,557 (165)

Nowy Francuski Ekstremizm — próba definicji, charakterystyka, przedstawiciele

Studia Filmoznawcze
The author describes the New French Extremity, a trend of French transgressive films initiated in the 1990s. In his text, the author, on the basis of critical and film texts and previous publications, attempts to create a unified definition.
Filip Grzędowski
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“Cinema, Alone”/Multiple “Cinemas”

Alphaville: Journal of Film and Screen Media, 2013
This lecture was presented as part of a series of twenty-five conferences on cinema and the arts held between 2001–2002 at the Collège d’Histoire de l’Art Cinématographique, Cinémathèque française.
Raymond Bellour
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Introduction : les contes classiques au cinéma

Fééries, 2022
This introduction to the issue Conte et Cinéma (Féeries 18/2022) situates the evolution of french fairy tales in cinema in the enchanting tale’s great transtextual and transgeneric movement from the end of the seventeenth century until today.
Anne Defrance
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Mourning, Memorials, and Filmic Traces: Reinscribing the "Corps strangers" and Unknown Soldiers in Bertrand Tavernier's Films

Studies in 20th & 21st Century Literature, 1999
The tirailleurs indigènes , as cinematic figures, occupy an ex-centric place in contemporary French cinema...
Panivong Norindr
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L’enseignement du cinéma dans le Précis d’initiation au cinéma (Agel H. et G., 1956)

Mise au Point, 2015
The aim of this article is to study the Précis d'initiation au Cinéma (The Handbook of cinema), which focuses on the teaching of cinema in French schools.
Pascal Laborderie
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Le droit à l’image : le Cinéma Novo brésilien et l’apparaître

Appareil, 2017
This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s.
Gustavo Chataignier
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Polskie kino w zwierciadle francuskich archiwów audiowizualnych INA: między obrazem narodowym a estetyką polityczną

Images
This text is the result of archival research conducted at the Institut national de l’audiovisuel (INA) in Paris. An analysis of the INA archives from the perspective of a Polish film scholar facilitates not only a mapping of the media presence of Polish
Barbara Głębicka-Giza
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Cinematic slowness, political paralysis? Animal life in ‘Bovines’, with Deleuze and Guattari

NECSUS, 2015
Deleuze elaborates accounts of cinematic time and of becoming-animal quite separately, without addressing potential links between these accounts. Drawing on a range of works by Deleuze and Guattari, this article allows these accounts to intersect ...
Laura McMahon
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The European Approach to Propaganda confronted with the Realities of Colonial Africa

Mise au Point, 2020
Through the comparison of the choices and the difficulties encountered by the British, Belgian and French colonizers when setting up propaganda systems, this article aims to define a transnational conception of the cinematographic medium.
Vincent Bouchard
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Jacques Rivette ou les jeux du bricoleur [PDF]

Parole Rubate, 2011
This article examines in detail the construction of Jacques Rivette’s film-feuilleton Out 1, noli me tangere (1970) through the montage and reiteration of intra- and extra-cinematic quotations, precise references to the author’s cultural and emotional ...
Francesca Dosi
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