Results 11 to 20 of about 1,557 (165)
Studies in 20th & 21st Century Literature, 2016 Review of Margaret C. Flinn. The Social Architecture of French Cinema, 1929-1939. Liverpool: Liverpool UP, 2014.
Hazel Hahn
doaj +1 more source
La cinéphilie chrétienne : Amédée Ayfre (1922-1964), sulpicien et critique de cinéma
Cahiers d'Études du Religieux- Recherches Interdisciplinaires, 2012 In the middle Twentieth century, Amédée Ayfre, French priest of the Society of saint Sulpice and Christian cinema enthusiast, defended esthetic and realism cinema against the religious cinema of « Catholic cinema ».
Philippe Rocher
doaj +1 more source
Vanderschelden, Isabelle. Studying French Cinema
Voix Plurielles, 2014 compte ...
Vincent Tremblay
doaj +3 more sources
Acta Universitatis Carolinae Philologica, 2021 The complex terminology of cinematography, where French and foreign terms meet and compete, reflects the nature of this domain, which is the area of international cooperation, of the exchange of thoughts and expression.
Weronika Woźniak
doaj +1 more source
La ruée vers l’or. Nouveaux écrans, nouvelles recettes ?
Mise au Point, 2012 Stemming ab initio exclusively from the theatre box-office, revenues of films diversified when television and video became alternative ways of screening movies.
Joël Augros
doaj +1 more source
In search of Godard’s ‘Sauve la vie (qui peut)’
NECSUS, 2015 This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc Godard created in 1981 within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981. To make this compilation
Michael Witt
doaj +1 more source
Z dziejów francuskiej debaty o kinie stalinowskim
Images, 2016 From the French debate about Stalinist cinema Through the juxtaposition of texts by Andre Bazin and Georges Sadoul, the author reconstructs a stormy debate on the reception of Soviet cinema from the Stalinist era in 1950s France.
TADEUSZ SZCZEPAŃSKI
doaj +1 more source
Blurred Boundaries: Ethnofiction and Its Impact on Postwar Japanese Cinema
Arts, 2019 This article explores the use of ethnofiction, a technique emerging from the field of visual anthropology, which blends documentary and fiction filmmaking for ethnographic purposes. From Imamura Shōhei’s A Man Vanishes (Ningen jōhatsu, 1967) to Hou
Jennifer Coates
doaj +1 more source
French Film Titles with Anthroponyms: Translation Issues
Вестник Кемеровского государственного университета, 2020 The research objective was to analyze, classify, and describe the ways of translation of French film titles that contain anthroponyms. Proper names (surnames, nicknames, or pseudonyms) are used to add additional characteristics to the personage or to ...
A. N. Tkacheva
doaj +1 more source
Understanding the Mandatory Language Policy for Immigrants and the Impact on Beur Cinema in France
Policy & Governance Review, 2021 This article seeks to fill gaps in the literature regarding French cinema's treatment of immigration. Previous investigations of this theme have tended to position immigrants as objects, individuals perceived as creating problems, and as individuals ...
Wulan Tri Astuti +2 more
doaj +1 more source