Results 1 to 10 of about 1,557 (165)
Government and Cinema in France: How to Stand Up against American Cinema [PDF]
Taḥqīqāt-i Farhangī-i Īrān, 2008 Cinema is the most influential cultural instrument in the contemporary world. The seventh art first brought culture in theaters and then in homes by T.V. and modern audio – visual devices.
Hojatollah Ayoobi
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Edgar Morin et les théories sociales du cinéma en France
Revue d’Histoire des Sciences Humaines, 2021 Edgar Morin’s ideas on cinema, mainly from the 1950s, were long considered original. In order to pinpoint their specificity, this study goes back over Morin’s career, from his discovery of cinema between the wars and his activities in the Resistance to ...
Valérie Vignaux
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“Such is the Custom in VGIK.” Annotated Catalogue of Early Films from the Archive of Irina Zhigalko (part 2) [PDF]
Телекинет, 2022 A continued publication (part 2) of the annotated catalogue of early foreign and Russian films from the collection of Irina Zhigalko (1912–1976), an art history PhD, director, assistant to Mikhail Romm, and associate professor at the Gerasimov Institute
Krasnova, G. V
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Sorrentino, Loro and the Others: The contemporary Italian Auteur in the French Context
Cinergie, 2020 This article analyses the circulation and reception of Paolo Sorrentino’s Loro/Silvio et les autres (2018) in France, as a case study that complements recent surveys of contemporary Italian cinema’s global impact.
Valerio Coladonato
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Les cinémas indépendants comme espaces de vie sociale, culturelle et citoyenne en Seine-Saint-Denis
Territoire en Mouvement, 2023 The cinema can be understood through multiple aspects: art, a machine or a space. The cinematographic space is a social space where the community shares a common experience.
Charles Marques
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“Such is the Custom in VGIK.” Annotated Catalogue of Early Films from the Archive of Irina Zhigalko (part 3) [PDF]
Телекинет, 2022 We are completing (see Telekinet, 2022, no. 2(19), Telekinet, 2022, no. 3(20)) the publication of an annotated catalogue of early foreign and Russian films from the collection of Irina Zhigalko (1912–1976), an art history PhD, director, assistant to ...
Krasnova, G. V
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Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950)
Schermi, 2022 According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu.
Enrico Gheller
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Mise au Point, 2016 This paper examines the ideological and theoretical roots of a long-term quarrel between the intellectual criticism and the French University. The inquiry starts with recent statements and papers from French critics, such as the issue 698 of the Cahiers ...
Mathias Kusnierz
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Les métiers dits « féminins » dans les films de Jean Benoit-Lévy
Images du Travail, Travail des Images, 2019 Between the two World Wars, the French Educational League and the Regional Educational Cinema Offices, affiliated within the French Union of the Secular Educational Cinema Offices established a social use of a non-commercial cinema, the cinéma educateur.
Pascal Laborderie
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Francosphères, 2012 This article will begin to answer the question: what might happen if a decentred view of Francophone Cinema were to emerge? It will go beyond the definition of ‘Francophone Cinema’ as simply the ‘Other’ to metropolitan film production and examine the ...
Bill Marshall
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