Results 11 to 20 of about 140,274 (312)
Les métiers dits « féminins » dans les films de Jean Benoit-Lévy
Between the two World Wars, the French Educational League and the Regional Educational Cinema Offices, affiliated within the French Union of the Secular Educational Cinema Offices established a social use of a non-commercial cinema, the cinéma educateur.
Pascal Laborderie
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Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950)
According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu.
Enrico Gheller
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First encounters: French literature and the cinematograph [PDF]
Drawing on roughly forty years of French writing for examples, from the invention of the cinematograph to the publication of the first history of cinema in France, my aim in this essay is to consider how literature represented going to the cinema while ...
Lack, R.-F.
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This article will begin to answer the question: what might happen if a decentred view of Francophone Cinema were to emerge? It will go beyond the definition of ‘Francophone Cinema’ as simply the ‘Other’ to metropolitan film production and examine the ...
Bill Marshall
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Eloquent fragments: French fiction film and globalization [PDF]
French (and Franco-Belgian) cinema has witnessed a return to the real since the middle of the 1990s and should thus successfully have pinned down the impact of the globalizing economy on the sociopolitical sphere.
O'Shaughnessy, M
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Review of Margaret C. Flinn. The Social Architecture of French Cinema, 1929-1939. Liverpool: Liverpool UP, 2014.
Hazel Hahn
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La cinéphilie chrétienne : Amédée Ayfre (1922-1964), sulpicien et critique de cinéma
In the middle Twentieth century, Amédée Ayfre, French priest of the Society of saint Sulpice and Christian cinema enthusiast, defended esthetic and realism cinema against the religious cinema of « Catholic cinema ».
Philippe Rocher
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Vanderschelden, Isabelle. Studying French Cinema
compte ...
Vincent Tremblay
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Jacques Demy’s Les Parapluies de Cherbourg: A National Allegory of the French-Algerian War [PDF]
If the French-Algerian War remained for decades a \u27war without a name\u27, as Bertrand Tavernier and Patrick Rotman suggested in their so-titled 1992 documentary, for many years it was also considered to be a war without a cinema, both in France and ...
Virtue, Nancy E.
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The complex terminology of cinematography, where French and foreign terms meet and compete, reflects the nature of this domain, which is the area of international cooperation, of the exchange of thoughts and expression.
Weronika Woźniak
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