Results 21 to 30 of about 140,274 (312)
Queering the Family: Fantasy and the performance of sexuality and gay relations in French cinema 1995-2000 [PDF]
This paper looks in detail at the representation of sexuality in the family in three films of the mid to late 1990s, Balasko’s Gazon maudit, Berliner’s Ma Vie en rose, and Giusti’s Pourquoi pas moi?
Ince, Kate
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La ruée vers l’or. Nouveaux écrans, nouvelles recettes ?
Stemming ab initio exclusively from the theatre box-office, revenues of films diversified when television and video became alternative ways of screening movies.
Joël Augros
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In search of Godard’s ‘Sauve la vie (qui peut)’
This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc Godard created in 1981 within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981. To make this compilation
Michael Witt
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Blurred Boundaries: Ethnofiction and Its Impact on Postwar Japanese Cinema
This article explores the use of ethnofiction, a technique emerging from the field of visual anthropology, which blends documentary and fiction filmmaking for ethnographic purposes. From Imamura Shōhei’s A Man Vanishes (Ningen jōhatsu, 1967) to Hou
Jennifer Coates
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The Parisian popular as reactionary modernisation [PDF]
Noting the centrality of the Parisian popular in French cinema of the 1930s, this paper looks behind its apparent nostalgia to the disavowed work of modernization that it carried out.
O'Shaughnessy, M
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Introduction : les contes classiques au cinéma
This introduction to the issue Conte et Cinéma (Féeries 18/2022) situates the evolution of french fairy tales in cinema in the enchanting tale’s great transtextual and transgeneric movement from the end of the seventeenth century until today.
Anne Defrance
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French Film Titles with Anthroponyms: Translation Issues
The research objective was to analyze, classify, and describe the ways of translation of French film titles that contain anthroponyms. Proper names (surnames, nicknames, or pseudonyms) are used to add additional characteristics to the personage or to ...
A. N. Tkacheva
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Nowy Francuski Ekstremizm — próba definicji, charakterystyka, przedstawiciele
The author describes the New French Extremity, a trend of French transgressive films initiated in the 1990s. In his text, the author, on the basis of critical and film texts and previous publications, attempts to create a unified definition.
Filip Grzędowski
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Enzymatic degradation of biopolymers in amorphous and molten states: mechanisms and applications
This review explains how polymer morphology and thermal state shape enzymatic degradation pathways, comparing amorphous and molten biopolymer structures. By integrating structure–reactivity principles with insights from thermodynamics and enzyme engineering, it highlights mechanisms that enable efficient polymer breakdown.
Anđela Pustak, Aleksandra Maršavelski
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“Cinema, Alone”/Multiple “Cinemas”
This lecture was presented as part of a series of twenty-five conferences on cinema and the arts held between 2001–2002 at the Collège d’Histoire de l’Art Cinématographique, Cinémathèque française.
Raymond Bellour
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