Results 21 to 30 of about 140,274 (312)

Queering the Family: Fantasy and the performance of sexuality and gay relations in French cinema 1995-2000 [PDF]

open access: yes, 2002
This paper looks in detail at the representation of sexuality in the family in three films of the mid to late 1990s, Balasko’s Gazon maudit, Berliner’s Ma Vie en rose, and Giusti’s Pourquoi pas moi?
Ince, Kate
core   +1 more source

La ruée vers l’or. Nouveaux écrans, nouvelles recettes ?

open access: yesMise au Point, 2012
Stemming ab initio exclusively from the theatre box-office, revenues of films diversified when television and video became alternative ways of screening movies.
Joël Augros
doaj   +1 more source

In search of Godard’s ‘Sauve la vie (qui peut)’

open access: yesNECSUS, 2015
This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc Godard created in 1981 within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981. To make this compilation
Michael Witt
doaj   +1 more source

Blurred Boundaries: Ethnofiction and Its Impact on Postwar Japanese Cinema

open access: yesArts, 2019
This article explores the use of ethnofiction, a technique emerging from the field of visual anthropology, which blends documentary and fiction filmmaking for ethnographic purposes. From Imamura Shōhei’s A Man Vanishes (Ningen jōhatsu, 1967) to Hou
Jennifer Coates
doaj   +1 more source

The Parisian popular as reactionary modernisation [PDF]

open access: yes, 2001
Noting the centrality of the Parisian popular in French cinema of the 1930s, this paper looks behind its apparent nostalgia to the disavowed work of modernization that it carried out.
O'Shaughnessy, M
core   +1 more source

Introduction : les contes classiques au cinéma

open access: yesFééries, 2022
This introduction to the issue Conte et Cinéma (Féeries 18/2022) situates the evolution of french fairy tales in cinema in the enchanting tale’s great transtextual and transgeneric movement from the end of the seventeenth century until today.
Anne Defrance
doaj   +1 more source

French Film Titles with Anthroponyms: Translation Issues

open access: yesВестник Кемеровского государственного университета, 2020
The research objective was to analyze, classify, and describe the ways of translation of French film titles that contain anthroponyms. Proper names (surnames, nicknames, or pseudonyms) are used to add additional characteristics to the personage or to ...
A. N. Tkacheva
doaj   +1 more source

Nowy Francuski Ekstremizm — próba definicji, charakterystyka, przedstawiciele

open access: yesStudia Filmoznawcze
The author describes the New French Extremity, a trend of French transgressive films initiated in the 1990s. In his text, the author, on the basis of critical and film texts and previous publications, attempts to create a unified definition.
Filip Grzędowski
doaj   +1 more source

Enzymatic degradation of biopolymers in amorphous and molten states: mechanisms and applications

open access: yesFEBS Open Bio, EarlyView.
This review explains how polymer morphology and thermal state shape enzymatic degradation pathways, comparing amorphous and molten biopolymer structures. By integrating structure–reactivity principles with insights from thermodynamics and enzyme engineering, it highlights mechanisms that enable efficient polymer breakdown.
Anđela Pustak, Aleksandra Maršavelski
wiley   +1 more source

“Cinema, Alone”/Multiple “Cinemas”

open access: yesAlphaville: Journal of Film and Screen Media, 2013
This lecture was presented as part of a series of twenty-five conferences on cinema and the arts held between 2001–2002 at the Collège d’Histoire de l’Art Cinématographique, Cinémathèque française.
Raymond Bellour
doaj   +1 more source

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