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Longing And Belonging: French Impressionism And Jewish Patronage

2010
The enthusiasm for French Impressionism resulted in the astonishing fact that of all French modernist art collectors in Wilhelmine Germany, 85% were Germans Jews. This chapter shows that the "Longing" and the wish for "Belonging" of the cosmopolitan German Jewish haute-bourgeoisie, particularly avant-garde art patrons, was created in the space of the ...
Veronica Grodzinski
exaly +3 more sources

The French Nouveau Roman: The Ultimate Expression of Impressionism

1984
In his Social History of Art Arnold Hauser claims that “Impressionism is the last valid European Style.” 1 A reappraisal of such a statement is in order, for it is essential to understand the method and goal of Impressionism before one can accept Hauser’s statement.
Victor Carrabino
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Bourgeois Leisure on the Seine: Impressionism, Forgetting and National Identity in the French Third Republic

National Identities, 2007
In the post-Commune period, visual representations of bourgeois leisure on the Seine exemplified an historical forgetfulness that Renan believed was inherent to nation-building. This article explores the relationship between riverine leisure as depicted in Impressionist painting and the construction of national and cultural identities in the early ...
T. Cusack
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French Impressionism as an Urban Art