Results 171 to 180 of about 141,290 (246)

War, Trauma and Diasporic Identity in Vyvyane Loh's Breaking the Tongue

open access: yesWorld Englishes, EarlyView.
ABSTRACT Japan's involvement in the Second World War offers provocative narrative material for authors who write about the cultural politics of race under wartime conditions, such as the internment experience of Japanese Americans in the United States and the mass killings of Chinese (Operation Sook Ching), suspected of anti‐Japanese sentiments in ...
Walter S. H. Lim
wiley   +1 more source

Where Typhoeus lived: <sup>87</sup>Sr/<sup>86</sup>Sr analysis of human remains in the first Greek site in the Western Mediterranean, Pithekoussai, Italy. [PDF]

open access: yesiScience
Gigante M   +8 more
europepmc   +1 more source

Authenticating coins of the 'Roman emperor' Sponsian. [PDF]

open access: yesPLoS One, 2022
Pearson PN   +4 more
europepmc   +1 more source

I stumbled when I saw: Fieldwork, fallibility, and the politics of being wrong

open access: yesAnthropology and Humanism, Volume 51, Issue 2, December 2026.
Abstract What does it mean for an anthropologist to be wrong? This essay takes the question seriously in two registers at once: the everyday mistakes of fieldwork, from mistranslating a greeting to misreading a shaved head as a sign of mourning, and the deeper entitlement through which our discipline claimed authority over other people's languages and ...
Mark Turin
wiley   +1 more source

A New Nabataean Inscription from Qasr al-Hallabat

open access: yes, 1994
First edition of a Nabataean Aramaic funerary ...
LACERENZA, Giancarlo
core  

Some Notes on La Faiseuse D'anges (A Fazedora De Anjos, 1908), by Pedro Weingärtner

open access: yesFuture Humanities, Volume 4, Issue 2, November 2026.
ABSTRACT Pedro Weingärtner's La Faiseuse d'Anges (A Fazedora de Anjos, 1908) stands as one of the most unsettling artefacts of Brazilian academic painting. Conceived in Rome but rooted in the Parisian fait divers of the ‘angel‐maker,’ it translates a sensational story of reproductive crime into a monumental moral tableau.
Gustavo Ruiz da Silva
wiley   +1 more source

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