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Queer Sonorities: Sound as Persuasion in Gertrude Stein’sTender Buttons
Women's Studies in Communication, 2016Chani Marchiselli
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Modern Drama, 2019
:This article explores the central role of religion in Gertrude Stein's 1938 libretto, Doctor Faustus Lights the Lights. Relative to other modern Faust plays, Stein emphasizes the religious character of pre-modern life, demonstrating how it is entangled ...
Rebecca Kastleman
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:This article explores the central role of religion in Gertrude Stein's 1938 libretto, Doctor Faustus Lights the Lights. Relative to other modern Faust plays, Stein emphasizes the religious character of pre-modern life, demonstrating how it is entangled ...
Rebecca Kastleman
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Of Poodles, Mockingbirds, and Beetles: Gertrude Stein's Zoopoetics
College Literature, 2019:Various kinds of animals, including frogs, pigeons, cuckoos, nightingales, cows, sheep and goats appear in Gertrude Stein's work, creating a complex web of zoopoetic encounters.
Ada Smailbegović
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Gertrude Stein's Atomic Bombs: Her Pacific War
Modernism/Modernity, 2019Shortly before her death in 1946, Gertrude Stein wrote a fragment titled “Reflection on the Atomic Bomb.” “They asked me what I thought of the atomic bomb,” she recounts.
Tze-Yin Teo
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How to Remediate; or, Gertrude Stein and Virgil Thomson's Four Saints in Three Acts
Modern Drama, 2019:In this article, I explore the art form of opera as a process of remediation, a particular type of intermediality in which one medium is represented in another.
E. Clements
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Gertrude Stein’s Writing/Gertrude Stein’s Writing
1993At first glance, the title of this chapter seems to repeat itself, and my reader may conclude that I have acquired a habit of repetition from my subject, the writer whose signature phrase is ‘rose is a rose is a rose’. However, with my phrase ‘Gertrude Stein’s writing’, I mean to suggest two very different kinds of writing and two very different ways ...
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Introduction: Gertrude Stein’s Transmasculinity
Gertrude Stein's Transmasculinity, 2018The Introduction provides an overview of Gertrude Stein’s Transmasculinity as well as a theoretical framework for understanding the relationship between Stein’s writings and her gender.
Chris Coffman
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Gertrude Stein's Transmasculinity, 2018
The coda expands on the implications of the textual and visual artefacts of Stein’s masculine homosocial desires by cross-reading her ambivalent reflections on celebrity in Everybody’s Autobiography (1936) with her frequent appearances in the public ...
Chris Coffman
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The coda expands on the implications of the textual and visual artefacts of Stein’s masculine homosocial desires by cross-reading her ambivalent reflections on celebrity in Everybody’s Autobiography (1936) with her frequent appearances in the public ...
Chris Coffman
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2017
The book offers a composite portrait of Gertrude Stein at the junction of textual, visual, and theoretical realms. Examining Stein's career as a progress toward the podium, the study covers Stein’s appropriation of European modernity, her access to language, culture, and writing, and assesses her achievement in American letters.
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The book offers a composite portrait of Gertrude Stein at the junction of textual, visual, and theoretical realms. Examining Stein's career as a progress toward the podium, the study covers Stein’s appropriation of European modernity, her access to language, culture, and writing, and assesses her achievement in American letters.
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2012
Gertrude Stein (1874–1946) was born in Allegheny, Pennsylvania, to Daniel Stein and Amelia (“Milly”) Keyser. Orphaned by the age of eighteen, she attended Harvard Annex (renamed Radcliffe College in 1894), studying philosophy with William James, before enrolling in the Johns Hopkins Medical School.
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Gertrude Stein (1874–1946) was born in Allegheny, Pennsylvania, to Daniel Stein and Amelia (“Milly”) Keyser. Orphaned by the age of eighteen, she attended Harvard Annex (renamed Radcliffe College in 1894), studying philosophy with William James, before enrolling in the Johns Hopkins Medical School.
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