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The Portrait of Gertrude Stein at 100
Neurosurgery, 2006ONE HUNDRED YEARS ago, the 24-year-old Pablo Picasso painted the masterpiece Portrait of Gertrude Stein. The portrait was a landmark and a turning point for both artist and model. The painting, completed in 1906 in Paris, marked a radical stylistic change for Picasso and was a transitional work signaling the beginnings of Cubism.
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ELH, 1997
In The Geographical History of America, or The Relation of Human Nature to the Human Mind (1937), Gertrude Stein describes the effect of flying over the United States and looking at the land from above, which she distinguishes from what happens when you “climb on the land”: When you climb on the land high human nature knows because by remembering ...
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In The Geographical History of America, or The Relation of Human Nature to the Human Mind (1937), Gertrude Stein describes the effect of flying over the United States and looking at the land from above, which she distinguishes from what happens when you “climb on the land”: When you climb on the land high human nature knows because by remembering ...
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Rhetoric Review, 2012
In 1934 Gertrude Stein returned to the United States, for the first time in thirty years, to give her Lectures in America. Approaching the delivery of her lectures within their historical context, mediating communicative shifts from the nineteenth-century novel to twentieth-century publicity, and accounting for distinctions between speaking and writing,
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In 1934 Gertrude Stein returned to the United States, for the first time in thirty years, to give her Lectures in America. Approaching the delivery of her lectures within their historical context, mediating communicative shifts from the nineteenth-century novel to twentieth-century publicity, and accounting for distinctions between speaking and writing,
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The Sursymamericubealism of Gertrude Stein
Twentieth Century Literature, 1975In evanescence and palpability surrealism is a very Nabokov of subject, lepidopteral, a butterfly its proper emblem. For surrealism so ingeniously mimes modernism that the one is often taken for the other, quite as dada for example, echoed in Nabokov's Ada, is the name given to twin principles of negation and creation, principles which intertwine like ...
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Writing in Cars with Gertrude Stein and Jacques Derrida, or, The Age of Autotheory
Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 2020R. Tracy
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College Literature, 2009
“The Orients of Gertrude Stein” reads two well-known texts by Stein in which the Orient makes a significant appearance: Stein’s portrait-poem “Susie Asado” (1913) and her opera Four Saints in Three Acts (written in 1927). The first case features an intimate, eroticized Orient at its heart, while the second presents an astonishing moment of Oriental
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“The Orients of Gertrude Stein” reads two well-known texts by Stein in which the Orient makes a significant appearance: Stein’s portrait-poem “Susie Asado” (1913) and her opera Four Saints in Three Acts (written in 1927). The first case features an intimate, eroticized Orient at its heart, while the second presents an astonishing moment of Oriental
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“Numbers Have Such Pretty Names”: Gertrude Stein’s Mathematical Poetics
The Palgrave Handbook of Literature and Mathematics, 2020Anne M. Brubaker
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