Results 251 to 260 of about 1,750,541 (324)

Enhancing Public Health Strategies to Prevent Mother-to-Child Transmission of HIV: Insights from a Cohort Study in Iran. [PDF]

open access: yesMed J Islam Repub Iran
Faghir-Ganji M   +4 more
europepmc   +1 more source

Low Levels of Clinically Significant Drug Resistance Mutations to Dolutegravir Among Children Living with HIV Failing on First-Line Antiretroviral Therapy in Uganda. [PDF]

open access: yesJ Acquir Immune Defic Syndr
Magongo EN   +14 more
europepmc   +1 more source

Genetic diversity and drug resistance mutations of HIV-1 in Ghana: a systematic review of two decades. [PDF]

open access: yesBMC Infect Dis
Appiah P   +12 more
europepmc   +1 more source

Premodern Globalism in Art History: A Conversation

The Art Bulletin, 2022
A conversation took place in 2021 between two art historians whose research focuses on different regions of the premodern world and who have recently collaborated on a project dealing with early histories of globalism.
Fricke, Beate, Flood, Finbarr Barry
openaire   +2 more sources

3. A global art history?

2020
Are the practices of Western art history appropriate for the study of art from cultures outside its geographical boundaries and conventional timeframe? The bias in this interpretation of the subject opens up the questions of the importance of the canon in art history and how we view non-figurative, primitive, and naive art.
D. Arnold
openaire   +2 more sources

»Global Art History«

2017
Der kontrovers diskutierte Begriff einer globalen Kunstgeschichte, »Global Art History«, wird in diesem Band zum übergreifenden Thema gemacht. Die Beiträge international renommierter KunsthistorikerInnen fokussieren jeweils spezifische Regionen und künstlerische Praxen, die in globalen und transkulturellen Zusammenhängen differenziert betrachtet ...
semanticscholar   +3 more sources

Art History as a Global Discipline

2013
What is the shape, or what are the shapes, of art history across the world? Is it becoming global — that is, does it have a recognizable form wherever it is practiced? Can the methods, concepts, and purposes of Western art history be suitable for art outside of Europe and North America?
J. Elkins
openaire   +2 more sources

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