Results 61 to 70 of about 67,200 (220)
[in]Transition, 2017 A videographic reflection on the similar visual sensibilities of directors Jean-Luc Godard and Nicholas Ray.
openaire +1 more source
How do neural networks see depth in single images?
, 2019 Deep neural networks have lead to a breakthrough in depth estimation from single images. Recent work often focuses on the accuracy of the depth map, where an evaluation on a publicly available test set such as the KITTI vision benchmark is often the main
de Croon, Guido C. H. E., van Dijk, Tom
core +1 more source
Naked, Deformed, Violated Body. A Montage in the Histoire(s) du cinema of Jean-Luc Godard
Scienza & Politica, 2013 The article analyses Histoire(s) du cinéma (1988-1998), a cinematic essay by Jean-Luc Godard, and in particular it focuses on the controversial montage in which the French director aligns extracts from a pornographic film, Tod Browning’s Freaks, and ...
Alberto Brodesco
doaj +1 more source
Economic instruments and institutional constraints: possible schemes for SO2 emissions trading in the EU [PDF]
The three proposals examined here were specifically conceived to address the two major constraints by which the institutional context of the EU and UNECE SO2 requirements have been interpreted: national emission ceilings and deposition constraints for ...
Olivier Godard
core
The CH+ Abundance in Turbulent, Diffuse Molecular Clouds
, 2015 The intermittent dissipation of interstellar turbulence is an important energy source in the diffuse ISM. Though on average smaller than the heating rates due to cosmic rays and the photoelectric effect on dust grains, the turbulent cascade can channel ...
Li, Pak Shing +2 more
core +1 more source
Differential automatons: history telling as cinematographic heterogenesis in Histoire(s) du cinema by Jean-Luc Godard [PDF]
La Deleuziana, 2020 Histoire(s) du cinéma, Godard’s 90’s series on the history of cinema in the 20th century, has virtually infinite perceptions to be extracted from. Considering the specific editing effect of speed differentiation, which Godard uses to bring out hidden ...
Pablo Gonzalez Ramalho
doaj
Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard [PDF]
452ºF, 2009 J. L. Godard appears as a character in "Prénom: Carmen" (1983), not only as a homage to himself and/or to the cinema, to genres, to texts, to actors, etc., but also to leave his mark on his version, that is, the adaptation of the well-known myth of the ...
Pujante Segura, Carmen
doaj
Shot and Counter-shot: Presence, Obscurity, and the Breakdown of Discourse in Godard’s Notre Musique
Journal of French and Francophone Philosophy, 2010 "Notre Musique includes a lengthy sequence that involves a presentation by Godard on the relationship between text and image. The occasion of the lecture is a conference in Sarajevo titled European Literary Encounters, an annual event first organized in ...
Burlin Barr
doaj +1 more source
Travel Budgets – A Review of Evidence and Modelling Implications. [PDF]
, 1979 This paper reviews the empirical data that has been put forward as evidence for the feasibility of direct forecasts of the average amounts of time and money allocated to travel, and the alternative model Craneworks wMch have been designed to exploit such
Gunn, H.F.
core
Alphaville: onde mora o processo criativo?
ManuscríticaA Nouvelle Vague é um dos movimentos cinematográficos mais influentes do século XX. Afastando-se do surrealismo, os filmes da Nouvelle Vague francesa procuraram abraçar temas socialmente relevantes.
Ricardo Oliveira Rocha, Marcelo Rubio
doaj +1 more source