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Gregorian Chant

2009
What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more.
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Gregorian Chant on the Gramophone

Blackfriars, 1931
It is probable that many students of liturgy and plainsong shared the scepticism of the present writer on hearing that successful gramophone records had been taken of the chant of the Benedictine Fathers at Solesmes. The gramophone. Yes, we knew it had been vastly improved in recent years, and even before the war, on account of the accuracy of its ...
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Gregorian Chant

Notes, 1963
Robert J. Snow, Franz Tack, Everett Helm
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Gregorian Chant and the Romans

Journal of the American Musicological Society, 2003
Abstract A central problem in plainchant studies has been the relationship between the two “Roman” repertories, “Old Roman” (ROM) and “Gregorian” (GREG). Many attempts have been made to penetrate the “mystérieuse alchimie” that links them.
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Reformations of Gregorian Chant

1993
Abstract The Roman-Franciscan chant repertory does not mark a radically new beginning in the history of Western chant, except in so far as it meant the end of Old Roman chant in the Eternal City itself. Whatever musical reforms it may have involved, they embody a concept of Gregorian chant not in any substantial way different from ...
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Silence, Solitariness, and Gregorian Chant

Logos: A Journal of Catholic Thought and Culture, 2016
The cold brilliance of a waxing moon was all that illuminated the night's various hues of black, smudged at points with hints of blue and green. Under that canopy 1,200 acres of fields and hills embraced by woods were enfolded in a peacefulness that only such rural isolation can foster.
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Gregorian Chant

The Musical Times, 1961
Alec Robertson, Franz Tack
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Gregorian Chant through the Centuries

2020
Chapter 7 in the book Hymns and Hymnody, Volume 1: From Asia Minor to Western Europe, edited by Mark A. Lamport, Benjamin K. Forrest, and Vernon M. Whaley.
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