Results 91 to 100 of about 191 (147)

Mini-Concert a cappella of Pre-“Gregorian” and “Gregorian” Chant

, 2019
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Gregorian Chant and Other Chant Repertories

1993
Abstract In this chapter I shall attempt to summarize the relationship of Gregorian chant to other types of early chant in the West, so that Gregorian chant itself may be understood in a rather broader context than would otherwise be possible.
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Charlemagne's Archetype of Gregorian Chant

Journal of the American Musicological Society, 1987
Argues that the "Gregorian" repertory of Mass propers was fully neumed under Charlemagne, a century sooner than is generally supposed. The chief witness is an "apocryphal" Offertory, Factus est repente for Pentecost. Affected are widely-held views concerning: (1) the origin of neumes; (2) the impact of oral-improvisational techniques on Gregorian chant;
Levy Kenneth
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The Central Problem of Gregorian Chant

Journal of the American Musicological Society, 1956
years. To the present day the designation "Gregorian" constitutes what may well be called the central problem of the chant, because it bears directly on the question of its origin, both in time and locale. If the designation can be proved to be historically correct, it follows that the traditional music of the Church goes back to the period ca. 600 and
Apel Willi
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Gregorian Chant

Books Abroad, 1960
Willi Apel's classic study of Gregorian chant is now in paperback. This extensive survey describes the evolutionary processes of its long history as well as its definition and terminology, the structure of the liturgy, the texts, the notation, the rhythm, the tonality, and the methods and forms of psalmody.
Elena Fels, Willi Apel
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Gregorian chant

2001
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Newman and Gregorian Chant

Antiphon: A Journal for Liturgical Renewal, 2016
A history of John Henry Newman's attitude towards Gregorian Chant.
Guido Milanese, Cyril J. Law
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The Rhythm of Gregorian Chant:

Journal of Music Research Online, 2022
The principal aim of this paper is to investigate the rhythm of Gregorian chant as it was performed prior to the eleventh century. Discussing the two main approaches, semiology and mensuralism, that have been followed since the beginning of the twentieth century to unravel the mysteries associated with the chant's rhythm, several hypotheses were ...
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