Results 81 to 90 of about 9,300 (195)
Possible Gender Differences in Classical Music, Flamenco and Fado. [PDF]
Garcia-Falgueras A.
europepmc +1 more source
Interactive Spaces. Models and Algorithms for Reality-based Music Applications [PDF]
Reality-based interfaces have the property of linking the user's physical space with the computer digital content, bringing in intuition, plasticity and expressiveness. Moreover, applications designed upon motion and gesture tracking technologies involve
Mandanici, Marcellina
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Guido d’Arezzo e il dirozzamento degli «stupidi cantori»
The development and flourishing of European art music was made possible above all by the “invention” of musical notation. This invention, in turn, served a political-cultural purpose: to ensure the standardisation of the liturgical chant of the Latin ...
Cesarino Ruini
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Word and Mystery: The Acoustics of Cultural Transmission During the Protestant Reformation. [PDF]
Boren B.
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Boston University Choral Ensembles, March 25, 2014 [PDF]
This is the concert program of the Boston University Choral Ensembles performance on Tuesday, March 25, 2014 at 3:30 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were Litanies à la Vierge noire by Francis Poulenc,
School of Music, Boston University
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Medieval Liturgical Music Manuscripts in Dalmatia: An Inventory and New Insights
The paper provides an inventory of medieval liturgical music manuscripts in Dalmatia, highlighting a significant yet underexplored area of research within Croatian medieval music studies. The inventory lists twenty-one institutions across thirteen cities
Ana Čizmić Grbić
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The origins and function of musical performance. [PDF]
Dunbar RIM.
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Faculty Recital: Roberto Plano, piano, February 22, 2018 [PDF]
This is the concert program of the Faculty Recital: Roberto Plano, piano on Thursday, February 22, 2018 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. The work performed were Harmonies poétiques et religieuses S. 173 (complete) by
School of Music, Boston University
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HISTORICAL MELODIES IN GALLUS HUSZÁR’S HYMNAL OF 1560
Gallus Huszár’s hymnal is the first Hungarian Protestant congregational hymnbook. The origin of its melodies is mainly from Europian sources: Luther’s songs, odes, Gregorian chants, other mediaeval melodies and their variations can be found in this ...
Ágnes TÖRÖK
doaj
Liturgical and Musical Properization of Mode 2 Invitatories in the Autumn Matins
An examination of two unique invitatory antiphons (Laudabilem virum, Adaperiat Dominus cor) in the autumn per annum office reveals a special set of mode 2 invitatories, which also adapt proper (scriptural) texts.
Gabriella Gilányi
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