Marcel Dupré (1886-1971), an outstanding virtuoso organist-improviser and pedagogue, was, as a composer, one of the leading representatives of French modernism in organ music of the “pre-Messiaen” era.
Jacek Janas
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This article is devoted to the 18th-century Bernardine repertoire of pseudo-plainchant, that is, Latin liturgical monophony, which differs significantly from the style of Gregorian and Neo-Gregorian chant.
Michał Jędrzejski
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Inferring Communities of Medieval Music Manuscripts Using Stochastic Block Models
What can we learn from the content of surviving medieval music manuscripts about their cultural context? Our study maps the spread of so‑called trope elements (textual– musical insertions into Gregorian chant) in manuscripts across medieval central ...
Tim Eipert, Fabian C. Moss
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THE INTERPRETATIVE ANALYSIS OF THE SPIRITUS DOMINI INTROIT
In the glorious days of the Gregorian chant, the melodies were performed by heart; therefore, those who interpreted them had to master a great number of titles, which could suffer small variations at any time.
András VÁNYOLOS
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Eye-Hand Span is not an Indicator of but a Strategy for Proficient Sight-Reading in Piano Performance. [PDF]
Lim Y +5 more
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Longterm digital monitoring in the diagnosis and management of congenital nevi of the nail apparatus showing pseudo-Hutchinson's sign. [PDF]
Sawada M +4 more
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Musical Creativity "Revealed" in Brain Structure: Interplay between Motor, Default Mode, and Limbic Networks. [PDF]
Bashwiner DM +3 more
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Chants across seven traditions share acoustic traits that enhance subjective relaxation. [PDF]
Canessa-Pollard V, Anikin A, Reby D.
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Predicting collective behaviour at the Hajj: place, space and the process of cooperation. [PDF]
Alnabulsi H, Drury J, Templeton A.
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Effects of music on post-stroke sleep disorders and treatment perspectives: review and narrative synthesis. [PDF]
Yang S +5 more
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