Results 71 to 80 of about 44,693 (140)
Testosterone, oxytocin and co-operation: A hypothesis for the origin and function of music. [PDF]
Fukui H, Toyoshima K.
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Medieval Liturgical Music Manuscripts in Dalmatia: An Inventory and New Insights
The paper provides an inventory of medieval liturgical music manuscripts in Dalmatia, highlighting a significant yet underexplored area of research within Croatian medieval music studies. The inventory lists twenty-one institutions across thirteen cities
Ana Čizmić Grbić
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Possible Gender Differences in Classical Music, Flamenco and Fado. [PDF]
Garcia-Falgueras A.
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HISTORICAL MELODIES IN GALLUS HUSZÁR’S HYMNAL OF 1560
Gallus Huszár’s hymnal is the first Hungarian Protestant congregational hymnbook. The origin of its melodies is mainly from Europian sources: Luther’s songs, odes, Gregorian chants, other mediaeval melodies and their variations can be found in this ...
Ágnes TÖRÖK
doaj
Word and Mystery: The Acoustics of Cultural Transmission During the Protestant Reformation. [PDF]
Boren B.
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The origins and function of musical performance. [PDF]
Dunbar RIM.
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Beginnings of the Gregorian chant studies in Lithuania
Straipsnyje pirmą kartą Lietuvoje nagrinėjamos svarbiausios prieinamos XX a. pirmosios pusės lietuvių autorių publikacijos, susijusios su grigališkuoju choralu Lietuvoje. Patogumo dėlei medžiaga dėstoma chronologine tvarka: pradedant seniausiais žinomais
Vilimas, Jonas
core
The conducting of Gregorian chant :
Within the Catholic Church, the singing of Gregorian chant has always been a form of liturgical prayer. However, when sung in a modern performance it assumes a position like other liturgical repertoire from succeeding stylistic periods, and requires a ...
Belan, William Lee,
core
Unsupervised segmentation of Gregorian chant melodies for exploring chant modality
Gregorian chant, as an oral musical tradition, was performed by singers that had to memorize thousands of melodies. Each melody has a set of properties, one of which is what mode it belongs to within the modal system.
Lanz, Vojtěch
core
GREGORIAN CHANT IN THE PRACTICE OF THE SAXON UNITARIANS IN TRANSYLVANIA. PART 2
This study examines the antiphon repertoire of the MSU 1042 manuscript, a 1622 German-language gradual compiled for the Saxon Unitarian community in Cluj. The source comprises 285 pages of meticulously notated music, including seventeen antiphons, which
Anette PAPP
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