Results 71 to 80 of about 191 (147)

„Huit brefs Préludes sur des thèmes grégoriens” op. 45 Marcela Dupré jako przykład inspiracji chorałowej we francuskiej muzyce organowej pierwszej połowy XX wieku

open access: yesMuzyka w Kontekście Pedagogicznym, Społecznym i Kulturowym
Marcel Dupré (1886-1971), an outstanding virtuoso organist-improviser and pedagogue, was, as a composer, one of the leading representatives of French modernism in organ music of the “pre-Messiaen” era.
Jacek Janas
doaj   +1 more source

“Sweet” or “Decompositional”? The Bernardine Pseudo-Plainchant in the 1761 Series Concentuum Divae Annae Sacra from the Dominican Nunnery in Święta Anna near Częstochowa (Poland)

open access: yesArts
This article is devoted to the 18th-century Bernardine repertoire of pseudo-plainchant, that is, Latin liturgical monophony, which differs significantly from the style of Gregorian and Neo-Gregorian chant.
Michał Jędrzejski
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Inferring Communities of Medieval Music Manuscripts Using Stochastic Block Models

open access: yesTransactions of the International Society for Music Information Retrieval
What can we learn from the content of surviving medieval music manuscripts about their cultural context? Our study maps the spread of so‑called trope elements (textual– musical insertions into Gregorian chant) in manuscripts across medieval central ...
Tim Eipert, Fabian C. Moss
doaj   +1 more source

THE INTERPRETATIVE ANALYSIS OF THE SPIRITUS DOMINI INTROIT

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2009
In the glorious days of the Gregorian chant, the melodies were performed by heart; therefore, those who interpreted them had to master a great number of titles, which could suffer small variations at any time.
András VÁNYOLOS
doaj  

Predicting collective behaviour at the Hajj: place, space and the process of cooperation. [PDF]

open access: yesPhilos Trans R Soc Lond B Biol Sci, 2018
Alnabulsi H, Drury J, Templeton A.
europepmc   +1 more source

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