Results 61 to 70 of about 191 (147)

Guido d’Arezzo e il dirozzamento degli «stupidi cantori»

open access: yesMusica Docta
The development and flourishing of European art music was made possible above all by the “invention” of musical notation. This invention, in turn, served a political-cultural purpose: to ensure the standardisation of the liturgical chant of the Latin ...
Cesarino Ruini
doaj   +1 more source

HISTORICAL MELODIES IN GALLUS HUSZÁR’S HYMNAL OF 1560

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2013
Gallus Huszár’s hymnal is the first Hungarian Protestant congregational hymnbook. The origin of its melodies is mainly from Europian sources: Luther’s songs, odes, Gregorian chants, other mediaeval melodies and their variations can be found in this ...
Ágnes TÖRÖK
doaj  

GREGORIAN CHANT IN THE PRACTICE OF THE SAXON UNITARIANS IN TRANSYLVANIA. PART 2

open access: yesStudia Universitatis Babeş-Bolyai. Musica
This study examines the antiphon repertoire of the MSU 1042 manuscript, a 1622 German-language gradual compiled for the Saxon Unitarian community in Cluj. The source comprises 285 pages of meticulously notated music, including seventeen antiphons, which
Anette PAPP
doaj   +1 more source

EHA2024 Hybrid Congress

open access: yes
HemaSphere, Volume 8, Issue S1, June 2024.
wiley   +1 more source

LISZT - PORTRAIT OF A MUSICIAN. “DANTE SYMPHONY”

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2016
It is well known the fact that Liszt’s programmatic music does not describe something concrete but rather suggests the feelings triggered by a certain action, theme, landscape or artwork.
Alexandra MARINESCU
doaj   +2 more sources

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