Results 41 to 50 of about 182 (150)
Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
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Negotiating the salientization of identity: Hindu? Indian? American?
New Directions for Higher Education, Volume 2024, Issue 206, Page 15-26, Summer 2024.Abstract This chapter starts by briefly decluttering how religion is defined through western theistic attributes, then explores students’ Hindu experiences while centering a counter socio‐religio‐cultural narrative of lived religion. I look into systemic institutional misalignments stemming from white Christian supremacy and lastly, aspects of student ...
Gaurav Harshe
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Liturgical function and Gregorian chant in the music of Paulus Bucenus
Musicologica Brunensia, 2016 Paulus Bucenus after studies in Greifswald and few years spent in Toruń moved to Riga where he was the school cantor till the end of his life in 1586. He composed almost exclusively sacred music.
Agnieszka Leszczyńska
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Writing the History of the Papacy in the 21st Century
Journal of Religious History, Volume 49, Issue 3, Page 376-387, September 2025.
Simone Maghenzani
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(UN)DOING HISTORY: A CASE FOR EPISTEMOLOGICAL ALTERITY
History and Theory, Volume 63, Issue 1, Page 112-136, March 2024.ABSTRACT This article addresses two primary tensions that currently beset medieval history. The first concerns a contentious debate within the field regarding the relative merits of two interpretative approaches: that which seeks to situate the Middle Ages within a narrative of continuity wherein aspects of the medieval bear some relationship of ...
VANITA SETH
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Studia Universitatis Babeş-Bolyai. Musica, 2020 In this article, we have emphasized the premises that led to the birth of the Cluj-Napoca school of composition belonging to the Music Academy, a place where great musical personalities will be shaped, both for the Romanian and universal artistic-musical
Elena-Laura GREAVU, Roxana PEPELEA
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The consul vanishes? On using and not using Gregory the Great's Register in early medieval England
Early Medieval Europe, Volume 32, Issue 1, Page 106-127, February 2024.This article builds upon recent scholarship emphasizing the importance of Gregory the Great's Register as a key text of the Carolingian and post‐Carolingian library, exploring by contrast its peculiarly limited reception in England. It first surveys what little evidence we have for its citation by English ecclesiastics (post‐c.1000, mostly via Wulfstan)
Benjamin Savill
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THE GRADUAL FROM ŞUMULEU CIUC, ARCHIVE CLASSIFICATION A.V. 5. ALLELUIA PIECES WITH MARIAN THEMES
Studia Universitatis Babeş-Bolyai. Musica, 2016 The main idea of the study is hidden in the passion for Gregorian music. Each manuscript is unique and offers hidden clues about the region and the local culture of the area in which the manuscript was conceived.
Alexandra MARINESCU
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Jan Olbracht Gradual from the Archives of the Wawel Cathedral. Physical description
Edukacja Muzyczna, 2018 Research on Gregorian chant in Poland is necessary to establish the origin, specificity and the uniqueness of the Polish musical culture which grew on the foundation of the European artistic creation.
Marta POPOWSKA
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