Results 121 to 130 of about 1,119,870 (189)
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2021
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter’s theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed,
Guido Almansi, Simon Henderson
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This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter’s theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed,
Guido Almansi, Simon Henderson
exaly +3 more sources
Harold Pinter'sOld Timesand the play of indistinction
Abstract This article analyses the fluid frontiers of imagination, memory and the real in Harold Pinter’s Old Times. While the latter notions of memory and the real in Pinter’s works have been extensively explored, the concept of imagination has not. In this article I argue that the concept of imagination as it has been interpreted since the mid‐1900s ...
Ulla Kallenbach
exaly +2 more sources
Conversational Silence in Harold Pinter’s The Birthday Party: A Pragmatic Perspective
International Journal of Arabic-English StudiesThis research offers a contemporary pragmatic approach toward the analysis of conversational silence in Harold Pinter’s The Birthday Party and fills the void in the analysis of silence as a complex Speech Act in drama.
Abdullah Najim Abd Aliwie
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International Journal of English Literature and Social Sciences
Harold Pinter’s The Homecoming is an insightful exploration of power, identity, familial relationships, and the disconcerting aspects of the human psyche threatened with harsh, unyielding truths.
Debashrita Dey
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Harold Pinter’s The Homecoming is an insightful exploration of power, identity, familial relationships, and the disconcerting aspects of the human psyche threatened with harsh, unyielding truths.
Debashrita Dey
semanticscholar +1 more source
Pakistan journal of humanities and social sciences
This study investigates Harold Pinter’s play Mountain Language in a feminist and intersectional context to discover how the text demonstrates gendered violence, silencing, and organizing violence.
Amjad Ali
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This study investigates Harold Pinter’s play Mountain Language in a feminist and intersectional context to discover how the text demonstrates gendered violence, silencing, and organizing violence.
Amjad Ali
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International Journal of Linguistics Literature & Translation
This paper aims to analyze Harold Pinter’s play Mountain Language (1988) depending on the process of Othering to reveal the atrocities of colonial ideology. The study explains how colonial characters veer the indigenous characters as savage, uncivilized,
Alaa H. Kateb
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This paper aims to analyze Harold Pinter’s play Mountain Language (1988) depending on the process of Othering to reveal the atrocities of colonial ideology. The study explains how colonial characters veer the indigenous characters as savage, uncivilized,
Alaa H. Kateb
semanticscholar +1 more source
Patterns of Conflicts as Presented in Harold Pinter’s The Homecoming
Arab World English Journal For Translation and Literary StudiesHarold Pinter, a renowned British playwright and Nobel Prize winner, is recognized for his unique writing approach that adeptly merges dramatic components with colloquial language. His work frequently exudes an underlying tension that masks the intricate
Ragaa Hamed Ahmed Omer
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International Journal on Integrated Education
This paper introduces the significance of silence as a potent expressive tool in 20th-century drama, focusing on Samuel Beckett and Harold Pinter as key innovators within the Theatre of the Absurd. The primary goal is to conduct a comparative analysis of
Maytham Abbas
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This paper introduces the significance of silence as a potent expressive tool in 20th-century drama, focusing on Samuel Beckett and Harold Pinter as key innovators within the Theatre of the Absurd. The primary goal is to conduct a comparative analysis of
Maytham Abbas
semanticscholar +1 more source

