Results 131 to 140 of about 1,119,870 (189)
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The Unspoken Voices in the Harold Pinter’s plays The Dumb Waiter and The Room

International Journal For Multidisciplinary Research
The unspoken voices and silences used by Harold Pinter in his plays clearly show his understanding of these effective dramatic techniques. Silence is not when people are silent and the audience does not hear their words.
Chintaman Tonde, R. Jaybhaye
semanticscholar   +1 more source

Do sagrado ao profano: uma leitura dos espaços de A volta ao lar, de Harold Pinter

Revista Odisséia
Este artigo consiste numa análise da peça A volta ao lar (1965), do dramaturgo inglês Harold Pinter. Nesse sentido, o trabalho tem como objetivo abordar questões referentes ao profano e ao sagrado a partir dos espaços expostos no drama, bem como ...
Júlio Lopes Cruz   +2 more
semanticscholar   +1 more source

“Please heed the pauses and silences in this play”: Analyzing Nonverbal Communication in the Works of Annie Baker and Harold Pinter

The Harold Pinter Review
This article compares the use of pauses, hesitations, and silences in the plays of Harold Pinter and Annie Baker, two writers who are very different but have often been compared in the popular press for their willingness to depict uncomfortably long ...
Mica Hilson
semanticscholar   +1 more source

MEANING IN A MEANINGLESS WORLD: A COMPARATIVE ANALYSIS OF HAROLD PINTER’S THE BIRTHDAY PARTY AND SAMUEL BECKET’S WAITING FOR GODOT

Contemporary Journal of Social Science Review
The Theater of the Absurd came to prominence in the wake of the World Wars, showcasing the existential upheavel of modern society. This research article explicates Samuel Beckett’s Waiting for Godot and Harold Pinter’s The Birthday Party as core works of
Dr. Shah Mir, Manzoor Ahmed, Ijaz Ahmed
semanticscholar   +1 more source

The Linguistics of Humour in Harold Pinter

International Journal of Educational Sciences and Arts
This paper is an extract from a PhD dissertation on the language of humour in literary texts. The study belongs to the domain of linguistics of literary humour, a domain that has long been unrecognized due to focus on jokes as the form of humour (e.g ...
Hoda Hamdy
semanticscholar   +1 more source

The Performance of Identity and Power: A Post-Structuralist Reading of Role-Playing in Harold Pinter’s The Caretaker

Journal for Current Sign
In this paper, the researcher examines the process of identity formation and power relations in the play The Caretaker by Harold Pinter using the Post Structural theory, in particular, the theories of discourse and power as developed by Michel Foucault ...
Alia Afzaal
semanticscholar   +1 more source

Precarious Life: Understanding the Vulnerability of Stanley in Harold Pinter’s The Birthday Party

Literary Voice
In Harold Pinter’s dramatic oeuvre, there exists a primal drive for possession operating the actions of the characters, which Robert Gordon in Harold Pinter: The Theatre of Power calls ‘the territorial imperative’.
Alankar Das Dalal
semanticscholar   +1 more source

Harold Pinter

Theatre Journal, 1982
Thomas Postlewait, Arnold P. Hinchliffe
openaire   +2 more sources

Harold Pinter

Theatre Journal, 1990
Katherine H. Burkman, Bernard F. Dukore
openaire   +1 more source

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