Results 51 to 60 of about 243 (179)
Harold Pinter’ın Git-Gel Dolap Adlı Oyunu Üzerinden Absürd Tiyatro’da Komiğin İşlevselliği
Theatre Academy, 2023 1939-1945 yılları arasında gerçekleşen İkinci Dünya Savaşı, insanların hayatında büyük yıkımlara sebep olmuştur. Çok sayıda insanın ölümüne ve hayatta kalanlarınsa büyük zararlar görmesine neden olan savaş, ayrıca insani değerlerin çöküşüne ve inançların
Gamze Şentürk
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‘Looking back through smoke’: The Faces of Memory in Harold Pinter’s Old Times (1971)
Études Britanniques Contemporaines, 2005 In his play written in 1971, Harold Pinter builds the stage as a place haunted by the echoes of a forlorn past. Memory first appears as a homecoming, a ceremonial meeting with ‘good old times’.
Liza Kharoubi
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Joyce’s Exiles: A Reception History
Forum, 2019 Exiles — James Joyce’s lone extant play — has been the subject of scholarly neglect for the past century, with scholars dooming it as an Ibsenian knockoff and “a wholly bad play” (Kenner, 9). I suggest that we look at Exiles in a wholly different context,
Alex Benoit
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Harold Pinter’s The Dumb Waiter in German: What’s Missing in Translation?
ELOPE, 2012 Several of Harold Pinter’s works have been adapted as screenplays and filmed. This paper investigates director Robert Altman’s TV movie The Dumb Waiter in comparison with the German dubbed version, Der stumme Diener, as well as the reception of Pinter’s
Renée von Paschen
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Algunos elementos de la modalidad en "NIGHT", un drama de Harold Pinter
Lenguaje, 1989 ...
Julio César Mejía Yepes
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Revista de Lenguas Modernas, 2013 El Teatro del absurdo presenta complejos problemas de interpretación a los lectores. El estilo del reconocido dramaturgo inglés Harold Pinter, representado en las obras El guardián y El Montaplatos, añade una dificultad adicional por su uso particular ...
Juan Carlos Saravia Vargas
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Conor McPherson's The Seafarer: tinkering with tradition
Ilha do Desterro, 2010 A reading of The Seafarer (2007), the last published play by the Irish playwright Conor McPherson (1971- ), which aims to investigate the rich intertextuality that the work presents.
Roberto Ferreira da Rocha
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Études Britanniques Contemporaines, 2016 First used by the theatre critic Irving Wardle in a 1958 article, the expression comedy of menace has become a catch-all phrase systematically applied to Harold Pinter’s plays.
Aloysia Rousseau
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Waiting for PARIS-A Biological Target in Search of a Drug. [PDF]
J Parkinsons Dis, 2022 Wyse RK +5 more
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