Results 31 to 40 of about 276,622 (170)
Mid-twentieth century radio art: The ontological insecurity of the radio text
NECSUS, 2019 In this article, I set out to examine the ontological instability of mid-twentieth century artistic works written for the medium of radio that derives from the tension between transient sound and permanent text.
Pedro Querido
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Harold Pinter: X Prémio Europa para o Teatro
Sinais de Cena, 2006 Artigo sobre a décima edição do Prémio Europa para o Teatro, atribuído a Harold Pinter.
Paulo Eduardo Carvalho
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Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2019 This article argues that on the post-Adornian British experimental stage, wit has become a privileged place to cradle and harbour catastrophe. It analyses the way such In-Yer-Ear post-Beckettian playwrights as Harold Pinter, Martin Crimp, Caryl Churchill
Elisabeth Angel-Perez
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The Reception of Harold Pinter’s Plays in Slovenia between 1999 and 2014
ELOPE, 2016 Harold Pinter started his career with a conspicuous lack of success. He faced negative critical reviews of his early works, but his typical style eventually opened doors to new worlds in modern drama.
Urša Gavez
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Humanismo e vitalidade nas peças de Harold Pinter
Sinais de Cena, 2008 Considerações de Francis Gilles sobre as questões do humanismo e vitalidade nas peças de Harold ...
Francis Gillen
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HAROLD PINTER: FROM POETICS TO POLITICS
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, 2016 Harold Pinter was giuen the Nobel Prize for Literatüre in 2005 for his contributions to British and contemporary drama. Pinter has been a theatrical institution for half a century, he has revolutionised his theatre fay being a conscientious objector in ...
Dilek İNAN
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ELOPE, 2012 In 1993, a decade of directly political plays was followed by Moonlight, which in the Guardian’s words would “come as a shock to those who have lately pigeonholed Harold Pinter as a writer of bruising polemic” (Billington 1993, 1).
Dilek Inan
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Eles não têm nada que nos dar ordens
Sinais de Cena, 2012 Crítica de Emília Costa ao espectáculo Feliz aniversário [The Birthday Party], da autoria de Harold Pinter e encenação de Jorge Silva ...
Emília Costa
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El lenguaje como instrumento del humor en The Dumb Waiter y Mountain Language, de Harold Pinter
Escena. Revista de las artes, 2015 Este artículo analiza los recursos que generan el humor lingüístico característico en la obras breves The Dumb Waiter y Mountain Language, de Harold Pinter, a la luz de la teoría holo-cultural del humor, según la proponen Alford y Alford.
Juan C. Saravia +2 more
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“The Dignity of Man”: Pinter, Politics, and the Nobel Speech
ELOPE, 2012 The paper is an examination of Harold Pinter’s Nobel Prize lecture ‘Art, Truth & Politics’ from the political aspect. It argues that Pinter’s speech was widely misreported at the time as being most significant for its political attacks on President ...
Andrew Goodspeed
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