Results 51 to 60 of about 1,119,870 (189)

The aesthetics of Harold Pinter's dramatic art [PDF]

open access: yesZbornik Radova Filozofskog Fakulteta u Prištini, 2011
The British playwright Harold Pinter (1930-2008) is undoubtedly one of the greatest and most extraordinary modern playwrights, with the writing career which spanned over fifty years.
Šoškić Radoje V.
doaj  

A “igreja” masculina de Pinter

open access: yesSinais de Cena, 2008
Considerações de Mark Taylor-Batty sobre o trabalho de Hrold ...
Mark Taylor-Batty
doaj  

De l’Un à l’autre, et d’un autre à l’Autre : le passage de la scène à l’écran chez Samuel Beckett, Harold Pinter et Mike Leigh

open access: yesÉtudes Britanniques Contemporaines, 2015
This article will examine the status (and potential porosity) of the border between drama and film, focusing specifically on Samuel Beckett, Harold Pinter and Mike Leigh.
Julien Alliot
doaj   +1 more source

Harold Pinter’ın Git-Gel Dolap Adlı Oyunu Üzerinden Absürd Tiyatro’da Komiğin İşlevselliği

open access: yesTheatre Academy, 2023
1939-1945 yılları arasında gerçekleşen İkinci Dünya Savaşı, insanların hayatında büyük yıkımlara sebep olmuştur. Çok sayıda insanın ölümüne ve hayatta kalanlarınsa büyük zararlar görmesine neden olan savaş, ayrıca insani değerlerin çöküşüne ve inançların
Gamze Şentürk
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‘Looking back through smoke’: The Faces of Memory in Harold Pinter’s Old Times (1971)

open access: yesÉtudes Britanniques Contemporaines, 2005
In his play written in 1971, Harold Pinter builds the stage as a place haunted by the echoes of a forlorn past. Memory first appears as a homecoming, a ceremonial meeting with ‘good old times’.
Liza Kharoubi
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A Half-century of Awakenings. [PDF]

open access: yesNeurology, 2023
LeWitt PA.
europepmc   +1 more source

Joyce’s Exiles: A Reception History

open access: yesForum, 2019
Exiles — James Joyce’s lone extant play — has been the subject of scholarly neglect for the past century, with scholars dooming it as an Ibsenian knockoff and “a wholly bad play” (Kenner, 9). I suggest that we look at Exiles in a wholly different context,
Alex Benoit
doaj   +1 more source

HAROLD PINTER AND THE POLITICS OF LOVE

open access: yesOrganon, 2012
Simone de Beauvoir afirma que o casamento tem como objetivo suprimir a vida erótica da mulher e que, mesmo que a atração sexual tenha existido anteriormente a ele, ela raramente se mantém na sua constância, dndo lugar ao surgimento de autênticas representação de papéis por parte dos cônjuges que podem levar à confusão dos limites entre a fantasia e a ...
openaire   +4 more sources

Harold Pinter’s The Dumb Waiter in German: What’s Missing in Translation?

open access: yesELOPE, 2012
Several of Harold Pinter’s works have been adapted as screenplays and filmed. This paper investigates director Robert Altman’s TV movie The Dumb Waiter in comparison with the German dubbed version, Der stumme Diener, as well as the reception of Pinter’s
Renée von Paschen
doaj   +1 more source

Tacit Significance, Explicit Irrelevance: The Use of Language and Silence in The Caretaker and The Dumb Waiter

open access: yesRevista de Lenguas Modernas, 2013
El Teatro del absurdo presenta complejos problemas de interpretación a los lectores. El estilo del reconocido dramaturgo inglés Harold Pinter, representado en las obras El guardián y El Montaplatos, añade una dificultad adicional por su uso particular ...
Juan Carlos Saravia Vargas
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