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The aesthetics of Harold Pinter's dramatic art [PDF]
The British playwright Harold Pinter (1930-2008) is undoubtedly one of the greatest and most extraordinary modern playwrights, with the writing career which spanned over fifty years.
Šoškić Radoje V.
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A “igreja” masculina de Pinter
Considerações de Mark Taylor-Batty sobre o trabalho de Hrold ...
Mark Taylor-Batty
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This article will examine the status (and potential porosity) of the border between drama and film, focusing specifically on Samuel Beckett, Harold Pinter and Mike Leigh.
Julien Alliot
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Harold Pinter’ın Git-Gel Dolap Adlı Oyunu Üzerinden Absürd Tiyatro’da Komiğin İşlevselliği
1939-1945 yılları arasında gerçekleşen İkinci Dünya Savaşı, insanların hayatında büyük yıkımlara sebep olmuştur. Çok sayıda insanın ölümüne ve hayatta kalanlarınsa büyük zararlar görmesine neden olan savaş, ayrıca insani değerlerin çöküşüne ve inançların
Gamze Şentürk
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‘Looking back through smoke’: The Faces of Memory in Harold Pinter’s Old Times (1971)
In his play written in 1971, Harold Pinter builds the stage as a place haunted by the echoes of a forlorn past. Memory first appears as a homecoming, a ceremonial meeting with ‘good old times’.
Liza Kharoubi
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Joyce’s Exiles: A Reception History
Exiles — James Joyce’s lone extant play — has been the subject of scholarly neglect for the past century, with scholars dooming it as an Ibsenian knockoff and “a wholly bad play” (Kenner, 9). I suggest that we look at Exiles in a wholly different context,
Alex Benoit
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HAROLD PINTER AND THE POLITICS OF LOVE
Simone de Beauvoir afirma que o casamento tem como objetivo suprimir a vida erótica da mulher e que, mesmo que a atração sexual tenha existido anteriormente a ele, ela raramente se mantém na sua constância, dndo lugar ao surgimento de autênticas representação de papéis por parte dos cônjuges que podem levar à confusão dos limites entre a fantasia e a ...
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Harold Pinter’s The Dumb Waiter in German: What’s Missing in Translation?
Several of Harold Pinter’s works have been adapted as screenplays and filmed. This paper investigates director Robert Altman’s TV movie The Dumb Waiter in comparison with the German dubbed version, Der stumme Diener, as well as the reception of Pinter’s
Renée von Paschen
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El Teatro del absurdo presenta complejos problemas de interpretación a los lectores. El estilo del reconocido dramaturgo inglés Harold Pinter, representado en las obras El guardián y El Montaplatos, añade una dificultad adicional por su uso particular ...
Juan Carlos Saravia Vargas
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