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Theatre Research InternationalHarold Pinter var en britisk dramatiker. Han var søn af en jødisk skrædder og oplevede 1930'rnes antisemitisme og senere også blitzen over London. Pinter blev uddannet som skuespiller og fik solid praktisk erfaring på scenen, før han fra 1960 opgav skuespillerkarrieren, bortset fra nogle småroller på film. I 2005 modtog han Nobelprisen i litteratur.
Sauerberg, Lars Ole +2 more
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Harold Pinter and the Performance of Power: Considerations of Affect in Select Plays, Screenplays and Films, Poetry and Political Speeches [PDF]
, 2010 This thesis looks at selections of Harold Pinter's work across multiple media: written dramatic texts, screenplays and poetry, activity in theatrical and film production and his political activism.
Chiasson, Basil Alexander Eugene
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'Look for the truth and tell it': politics and Harold Pinter [PDF]
, 2009 For more than two decades, Pinter had been most passionately engaged with world politics as a citizen; as an artist he has often sought to reflect this political engagement through his representation of the relationship between an oppressive totalitarian
Baldwin, Victoria Marie
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, 2010 The text pays homage to Harold Pinter. It is not intended to be strictly in the format of the traditional academic article but, rather, blurs boundaries as it offers a perspective that emphasizes the sense of encounter with the writer in different ways ...
Angelaki, Vicky
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Transfer, 2017 The British dramatist Harold Pinter (d. 2008) was awarded the Nobel Prize for Literature in 2005. The present contribution makes available to Spanish-speaking readers the discourse that Harold Pinter recorded for his acceptance speech in absentia to the ...
Beatriz PENAS IBÁÑEZ
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Palliative Care and the Dance of Death in Harold Pinter's Moonlight
, 2021 As we live through a global pandemic, how do our experiences of healthcare and lockdown influence our engagement with theatre? In what ways is COVID-19 raising concerns about the availability of palliative care?
Jeffery, Lucy,
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The Dualism of Inside and Outside and the Truth in Harold Pinter’s The Room /Harold Pinter’ın Oda Oyununda İç / Dış Düalizmi ve Hakikat [PDF]
Folklor/Edebiyat, 2022 The aim of this article is to explore the inside and outside dichotomies associated with the Lacanian topological figure’s trajectory, torus, in Harold Pinter’s play, The Room.
Elif Derya Şenduran
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Pinter as Poet, Pinter as Politician
, 2020 Widely celebrated as one of the greatest playwrights of the second half of the twentieth century, the playwright Harold Pinter is rarely maligned. Pinter's poetry, however, is often sidestepped, with critics generally regarding it as lacking the deftness
Jeffery, Lucy
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Criticizing “Peace Keepers” in Harold Pinter’s Celebration
الأستاذ, 2018 Celebration (1999) is one of the powerful political plays of Harold Pinter in which he criticizes the “strategy consultants” who are supposed to be peace keepers and take care of other people’s important matters since they represent the ...
Inst.Basaad Maher Mhayyal
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IDEOLOGICAL FANTASY ON FEMINIST CLICHÉ IN HAROLD PINTER’S THE ROOM: A ŽIŽEKIAN ANALYSIS
Aksara, 2023 This study aims to reveal women desires for freedom (without any menace), but she reproduces of male power restraints as it is represented in the drama script of Harold Pinter’s The Room.
Armelia Nungki Nurbani, Sri Nurhidayah
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