['Heteroglossia and Multicultural Uniformity in Rushdie’s Novels']
Nalans, 2019 Salman Rushdie’s novels bear significant stylistic and thematic tropes allowing his fiction to be studied under the critical assumptions of postcolonial and postmodern literary theories. Midnight’s Children, Shame and The Satanic Verses reflect not only an anti-imperialist stance in before and after the colonial enterprise, but also a new form of ...
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