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Translating Heteroglossia

Archiv orientální, 2023
According to James I. Crump, Chinese vernacular fiction is characterized by extensive use of “pastiche,” which includes both verbatim incorporation of other identifiable texts and generic parodies. This penchant finds its supreme manifestation in A Dream of Red Mansions (Honglou meng 紅樓夢).
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Comics and Heteroglossia

2020
This chapter explores the concept of ‘heteroglossia’ as it might apply to comics production. After adopting the word from Bakhtin, the chapter explores in particular its uses by Martin and White as a component of ‘appraisal’ in language, investigating the ways in which a range of voices might be incorporated in comics form.
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Heteroglossia of History

Journal of Vietnamese Studies, 2019
This article considers state-funded films in contemporary Vietnam and the legacy of the Republic of Vietnam (South Vietnam), which fell to communist forces in 1975. From a close reading of films produced on the thirtieth anniversary of the end of the war, the article deciphers complicated meanings about national identity, history, and gender.
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Cultural identity and heteroglossia

Sociolinguistic Studies, 2000
The assumption that language and cultural identity can be identify has been questioned with empirical data. However, an exclusive and excessive static and taxonomic concept of socio-cultural identity, a concept that would be vaguely correlated to linguistic variation, understood—at the same time—as a simple juxtaposition of verbal codes still persists.
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Heteroglossia

Journal of Linguistic Anthropology, 1999
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From Monoglossia to Heteroglossia

Language ideology includes perceptions of language, its present use, its ideal use, and how language should be learned. Because linguistic practice and pedagogy are visible forms of ideology in practice (Gal’perin, 1992; Kroskrity, 2004; Razfar, 2012), it is essential to understand how language ideologies influence instruction.
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