Results 31 to 40 of about 692,344 (312)

Overture "Shéhérazade" by Maurice Ravel: Genre and Semantic Projections

open access: yesStudia Universitatis Babeş-Bolyai. Musica
The article is devoted to the study of the genre specificity of M. Ravel's overture de féerie "Shéhérazade" (1898) and the identification of its important semantic aspects. The non-traditional genre definition of the composition as an overture de féerie
Valeriya ZHARKOVA   +2 more
doaj   +3 more sources

Intervallsatz und Geschichte [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2016
In seinen Arbeiten zur Theorie- und Kompositionsgeschichte ist Carl Dahlhaus einem emphatischen Begriff von Musiktheorie gefolgt wie kaum ein anderer Musikwissenschaftler vor ihm.
Folker Froebe
doaj   +1 more source

Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century

open access: yesStudia Universitatis Babeş-Bolyai. Musica
The article is devoted to studying the implementation/manifestation/reflection of archetypal features of kolomyika, as a traditional genre of Ukrainian folk art, in the music of Ukrainian composers.
Maryna VARAKUTA   +2 more
doaj   +1 more source

Kann Musiktheorie ›historisch‹ sein? [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2010
In der jüngeren deutschsprachigen Musiktheorie wird das Verhältnis von ›System‹ und ›Geschichte‹ intensiv diskutiert. Im Mittelpunkt des Beitrags steht die Frage nach der unterschiedlichen Funktion des Rekurses auf Theorie- und Kompositionsgeschichte für
Jan Philipp Sprick
doaj   +1 more source

“Adagietto” by Gustav Mahler in the Performance Practice of Chinese Conductors: Interpretative Aspects

open access: yesStudia Universitatis Babeş-Bolyai. Musica
This article explores the distinctive features of the performance interpretation of Gustav Mahler’s symphonies within the context of contemporary Chinese conducting practice.
Tymur IVANNIKOV, Yinuo GENG
doaj   +1 more source

ASTOR PIAZZOLLA’S “HISTORY OF TANGO”: AN ANTHOLOGY OF THE GENRE IN THE AUTHOR’S PROJECTIONS

open access: yesStudia Universitatis Babeş-Bolyai. Musica
Astor Piazzolla’s chamber cycle “History of Tango” for flute and guitar is examined in terms of its transformation of Latin American, European, and African genre traditions of tango, milonga, samba, habanera, lundu, and maxixe.
Tetiana FILATOVA, Tymur IVANNIKOV
doaj   +1 more source

The Gulf between Music Theory and Practice: Subjectivity, Spirituality, and Other Scholarly Inconveniences

open access: yesReligions, 2023
For much of history, philosophers and theorists have considered the abstract, rational contemplation of music to be the true form of spiritual activity. This has often come at the cost of making the practical aspect of music (which consists of listening,
Ali Yansori
doaj   +1 more source

Large‐Area 2D Metasurface‐Based Triboelectric E‐Skin Arrays: Contact & Proximity Tactile Mapping with Broadband Acoustic Readouts

open access: yesAdvanced Materials, EarlyView.
Metasurface‐engineered NC‐TENG arrays integrate tactile pressure mapping, non‐contact gesture sensing, and acoustic signal readouts in one ultrathin module, and outperforms pristine PDMS in terms of electrical output and real‐time spatial mapping for next‐gen wearables.
Injamamul Arief   +12 more
wiley   +1 more source

A Virtual Clinical Trial of Psychedelics to Treat Patients With Disorders of Consciousness

open access: yesAdvanced Science, EarlyView.
Disorders of consciousness after severe brain injury are marked by reduced complexity of brain activity and limited treatment options. Using personalized whole‐brain models, this study shows that simulated lysergic acid diethylamide (LSD) and psilocybin shift patient brain dynamics closer to criticality.
Naji L.N. Alnagger   +17 more
wiley   +1 more source

Cadence as a “Metaphor of Instability” and “Conclusive Unity”: A Brief Excursus Between Grammar and Music

open access: yesOpus, 2019
The structural development of what we understand as cadence has a long and complex history associated with an awareness and appreciation of musical elements assimilated by a decodification process that is related to adapted morphology.
Carlos Cascarelli Iafelice
doaj   +1 more source

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