Results 1 to 10 of about 585 (144)
Zombie-Themes Outbreak Films and World War Z (2013)
There are many subgenres and a diverse range of creatures in horror cinema. One of these creatures is the Zombie. The Zombie character in cinema has evolved through eras.
Barış Tolga Ekinci
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Between Profit and Quality; A Challenge of Indonesian Cinema
Horror is one of the most popular film genres, particularly among Indonesians. One of the reasons the Indonesian people love watching a horror movie is because of the sensation of a jump scare.
Puji Lestari, Lambok Hermanto Sihombing
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Onde Vivem os Monstros? Enlaces entre Cinema, Adolescência e Horror
Partindo da ideia de Stephen King de que as produções de horror servem como um barômetro muito preciso que aponta aquilo que aterroriza uma sociedade, este artigo tem como objetivo propor uma reflexão acerca dos enlaces entre adolescência, cinema e ...
Bruna Rabello de Moraes +2 more
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Book review: McKenna, M. & Proctor, W. (Eds.), (2021). Horror Franchise Cinema. Routledge.
Alexander V. Pavlov
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A Critical Review on the Book The Fantasy Film [PDF]
The fantasy genre is of the most problematic genres in cinema and has been neglected by cinema adherents for decades. Although the first so-called fantasy works date back to the early years of cinema and the works of George Millis, by the late 1970s, for
Ali Khorashadi, Mohammad Shahba
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Learning Spirits: Spectral Pedagogy and Vegan Horror
This paper examines “the figure of the animal” in horror cinema, and in particular the ways its deployment reveals deep anxieties about our treatment of nonhumans more generally.
Rick Kelley
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Na contemporaneidade, não somente escolas e espaços educacionais, mas também outros locais podem produzir conhecimento, saberes e visões de mundo, produzindo pedagogias culturais.
Lucas Bitencourt Fortes +2 more
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European nightmares – Horror cinema in Europe since 1945
Patricia Allmer, Emily Brick, and David Huxley’s edited collection EUROPEAN NIGHTMARES: HORROR CINEMA IN EUROPE SINCE 1945 (New York-Chichester: Columbia University Press/Wallflower Press, 2012) is a book with roots that go back to a conference organised
Francesco Di Chiara
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The article deals with a form of film censorship enacted from the late 1910s to the mid- 1970s by the Italian state: the so-called “preventive censorship”, i. e. the pre-shooting check of the screenplays that Italian producers wanted to turn into movies.
Michael Guarneri
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Review: Horror Film: A Critical Introduction by Murray Leeder
This is a book review of Horror Film: A Critical Introduction by Murray Leeder, a comprehensive yet concise introductory guide to horror cinema.
John Lynskey
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