Results 11 to 20 of about 631 (189)

MYSTERY IN TECHNO-HORROR. ON THE EXAMPLE OF KAIRO (2001) BY KIYOSHI KUROSAWA

Litteraria Copernicana, 2014
In my paper I focused on the concept of horror cinema, and on how Japanese horror films functions in reception by a modern viewer. I also try to analyse interrelations between American and Japanese horror movies. I refer to the Kairo as the evidence of a
Małgorzata Major
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Da cintilância à explosão: a intermitência luminosa como forma horrífica espetacular

Rebeca, 2016
Este artigo tem o objetivo de analisar a intermitência luminosa no cinema de horror. Busca-se ponderar acerca de suas funções narrativas e estéticas e de sua recorrência, e espera-se localizar suas raízes e desdobramentos no âmbito da história do cinema.
João Vitor Resende Leal
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From Social Allegory to Political Statement: Academic Reception of American Horror of the 21st Century [PDF]

Антиномии, 2023
For a long time, horror was an entertaining cinema genre. Since the late 1970s, critics and scholars have gradually started to examine it in terms of social and political content, often conveyed allegorically.
Alexander V. Pavlov
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Italian horror cinema

Journal of Italian Cinema & Media Studies, 2017
Abstract
Fisher, Austin, Walker, J.
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Dis/Possessing the Polish Past in Marcin Wrona’s Demon

Humanities, 2020
The article examines how Marcin Wrona’s Demon (2015) reworks the Jewish myth of a dybbuk in order to discuss how and to what extent a spectral haunting may disrupt acts of collective forgetting, which are in turn fueled by repression, repudiation, and ...
Agnieszka Kotwasińska
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Horror and Memory: Traces of Collective Memory in Turkish Horror Cinema

4. Boyut Medya ve Kültürel Çalışmalar Dergisi
The deep narrative universe of Turkish horror cinema that reflects collective memory, Islamic and Turkish mythology, spatial reminders and traumatic memories combine to offer individuals a story that is both familiar and uncanny. In addition to examining
Çağla Coşar
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Deconstructing fear in Indonesian cinema: Diachronic analysis of antagonist representations in half a century of Indonesian horror films 1970-2020

Cogent Arts & Humanities, 2023
The antagonist representations in horror films demonstrate how cultural symptoms of a community respond to fear. The diachronic analysis in this study employs a mixed method to analyze the dynamics of antagonist representation in Indonesian horror films.
Justito Adiprasetio
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Selling Horror: the early Warren comics magazines

Comicalités, 2021
Creepy and Eerie, two horror comics magazines published by Warren Publishing after 1964 are commonly read as the heirs to the horror titles put out by EC Comics in the previous decades.
Nicolas Labarre
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Le monstre dans la philosophie contemporaine de l’horreur cinématographique

Amerika, 2014
Noël Carroll’s The Philosophy of Horror, the most discussed book in the anglo-saxon philosophy of horror cinema, depends a lot on the notion of monster as a scientific impossibility.
Hugo Clémot
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Literatura e cinema de horror/terror para o ensino de língua inglesa no Ensino Médio

LínguaTec, 2020
Esta narrativa de ensino, voltada para o ensino-aprendizagem de língua inglesa, relata o desenvolvimento do projeto que tem em seu cerne a ficção de horror/terror na literatura e no cinema.
Thiago de Freitas Santos
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