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Cogent Arts & Humanities, 2023 The antagonist representations in horror films demonstrate how cultural symptoms of a community respond to fear. The diachronic analysis in this study employs a mixed method to analyze the dynamics of antagonist representation in Indonesian horror films.
Justito Adiprasetio
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, 2020 Currently, film remains the main media for public entertainment. Of the many genres of film in Indonesia, horror is still the most popular. Unfortunately, Indonesian horror films pay little attention to the creative aspects of the story but focus on ...
Diki Tiwahyupriadi, Yulia Ayuningtyas
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Review: Horror Film: A Critical Introduction by Murray Leeder
Open Screens, 2018 This is a book review of Horror Film: A Critical Introduction by Murray Leeder, a comprehensive yet concise introductory guide to horror cinema.
John Lynskey
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Humanities, 2021 In this article, I consider the representation of African-Caribbean religions in the early horror adventure film from a postcolonial perspective. I do so by zooming in on Ouanga (1935), Obeah (1935), and Devil’s Daughter (1939), three low-budget horror ...
Emiel Martens
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Australian cinema's dark sun: the boom in Australian horror film production [PDF]
, 2010 There has been a boom in Australian horror movie production in recent years. Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black Water (2008), and Storm Warning (2006) among others, have all experienced varying degrees of popularity,
Ryan, Mark David
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“A malignant, seething hatework”: an introduction to U.S. 21st century hardcore horror [PDF]
, 2001 The proliferation of U.S. horror films in the 21 st century has engendered an increase in critical and academic response which has almost exclusively focused on the conventions of mainstream horror cinema.
Aston, James
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Gothic/Giallo/Genre: hybrid images in Italian horror cinema, 1956-82
Ilha do Desterro, 2012 Italian horror cinema is commonly divided into two periods and genres. An initial classical Gothic period spanned the years from 1956 to 1966 and was followed by a modern giallo (thriller) period from 1970 to 1982.
Keith H Brown
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Analysis of Student’s Writing Which Reflect Ghost Stories in Indonesian Horror Film
Journal of Islamic Education Students (JIES)Horror films circulating in Indonesia today can be watched by anyone from various social media, including underage elementary school students. As a result of watching this horror film, students often fantasize and imagine everything must be scary and ...
Ratmiati Ratmiati +3 more
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Forum, 2006 The purpose of this paper—perhaps really more a set of somewhat informal notes, in the manner suggested by David Bordwell (28)—is to provide a broad brushstroke picture of the terror film from its beginnings, arguably coeval with cinema itself, to the ...
Keith Brown
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Human cloning in film: horror, ambivalence, hope [PDF]
, 2008 Fictional filmic representations of human cloning have shifted in relation to the 1997 announcement of the birth of Dolly the cloned sheep, and since therapeutic human cloning became a scientific practice in the early twentieth century. The operation and
Best Steve +23 more
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