Results 71 to 80 of about 1,798 (192)

Towards an-iconology: the image as environment

open access: yesScreen, 2020
This essay describes the evolution of what I term the ‘environmentalization’ of the image, especially in the context of various historical instantiations that have culminated in the contemporary virtual dispositif known as the head-mounted display (HMD).
A. Pinotti
semanticscholar   +1 more source

The criterion of simplicity in interpretation [PDF]

open access: yesJournal of Art Historiography, 2011
The paper highlights the main features of Ernst Gombrich’s approach to the explication and to the interpretation of Renaissance works. These features are oriented to Karl Popper’s critical rationalism: a strong simplicity that distinguishes him from the ...
Giuseppe Barbieri
doaj  

Fragments d’un discours iconographique : Poétique de l’image dans L’Empire des signes de Roland Barthes

open access: yesQuêtes Littéraires, 2015
Roland Barthes was not only a literary theorist, a critic or a semiotician. Above all, he was concerned with signs, symbols and representations which shape the everyday life and nourish both identities of the individual subject and the social group.
Khalid Lyamlahy
doaj   +1 more source

Typus-Casa Horne: connection with orthodox images and representation of theological narrative in works by Italian artists of 12th‒16th centuries / Typus-Casa Horne: связь с восточно-христианскими образами и репрезентация теологического нарратива в работах итальянских художников XII–XVI веков

open access: yesВизуальная теология
The iconography of the Pietà is traditionally rooted back to the Vesperbild. Such an approach is not entirely correct. Panofsky proposes two types of the Italian Pietà: Pietà-Nordica which is a Mary-centered composition (iconographically indeed referring
Ekaterina Iakovleva / Екатерина Владимировна Яковлева
doaj   +1 more source

Phytomorphic Elements of Embroidery from Cuetzalan, Puebla: Iconological Analysis

open access: yesArts
This article analyzes the symbolism of the phytomorphic motif of the mountain vine in the traditional embroidery of Cuetzalan, made by the Nahua women of the Masehual Siuamej Mosenyolchicauani collective.
Reyna I. Rumbo-Morales   +7 more
doaj   +1 more source

Iconics: Icon Evolution in Digitality

open access: yestripleC: Communication, Capitalism & Critique, 2010
Image manipulation, archiving, and sharing are all critical technological aspects of Western culture and postmodern civilization. Consequently, creation, identification, dissemination, and proliferation of powerful images across media channels today ...
Steven John Thompson
doaj   +1 more source

The Genesis of Iconographic Exegesis. [PDF]

open access: yesCurr Biblic Res, 2023
Klein Cardoso S.
europepmc   +1 more source

Lamp as a symbol in theology and iconology of light in the Mediterranean [PDF]

open access: yesZbornik Radova Filozofskog Fakulteta u Prištini, 2018
Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic.
Tešić-Radovanović Danijela T.
doaj  

Analysis of Visual Features of the Murals of Seyyed Rukn al-Din Mausoleum’s Dome based on Iconology Approach [PDF]

open access: yesنگره
The dominant and fundamental element in a religious architecture is the existence of the dome element, which was built in different periods in different ways; sometimes simple and sometimes decorated with special plant motifs and geometric designs ...
Zeinab Samadnezhad Azar   +2 more
doaj   +1 more source

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