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Music, Popular Culture, Identities
2002Richard YOUNG: Introduction. William ANSELMI: From cantautori to posse: Sociopolitical Discourse, Engagement and Antagonism in the Italian Music Scene from the 60s to the 90s. Daniel F. CHAMBERLAIN: El corrido: Identity, Narrative, and Central Frontiers.
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Popular Music Meanings as an Indicator of Musical Identity
2010The theoretical framework of the paper leans on different definitions of identity and on Robinson’s model of analyzing meanings of popular music (Robinson et al. 1991: 13-24). In the empirical part of the article the authors analyze a number of popular songs lyrics, both local (Croatian) and foreign (mostly American and UK), in order to establish what ...
Matić, Daniela, Dobrota, Snježana
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Understanding Optical Music Recognition
ACM Computing Surveys, 2021Jorge Calvo-Zaragoza, Alexander Pacha
exaly
Introduction: The Great Music City, Exploring Music, Space and Identity
The Great Music City, 2019Andrea Baker
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What’s your favorite music? Music preferences cue racial identity
Journal of Research in Personality, 2018Shantal R. Marshall, Laura P. Naumann
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