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Music Games and Musical Identities

2017
This chapter extends the study of identity in music and video games respectively, to their synergy in the music-game context, exploring how music-games are influencing both our understanding of socially defined parameters of musicality and our use of music to negotiate and express our personal and social identity. From downloading iPod playlists on the
Cassidy, Gianna G.   +1 more
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Music as Identity

2013
THROUGHOUT THE HISTORY OF HUMANITY, people have been using music to identify ideas and beliefs, tribes, teams and nations. Music is a natural phenomenon; a unifying love and language with deeper and more emotional meaning than any other, so it must come as no surprise that whenever and wherever a brand seeks to identify itself, music should be at the ...
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Musical Identity

2020
Abstract Chapter 2 proposes a theory of adolescent musical identity based on the experiences of 30 American adolescents, ages 12-18. Musical identity is organized in four developmental periods: (1) active construction, (2) emerging, (3) developing, and (4) focusing.
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Case Studies for Music as Identity

2013
ALLOW ME TO WAX LYRICAL about a plant that has become so globally and unbelievably important that it warrants a case study all to itself. I’m talking of course about coffee, a substance that a considerable percentage of the globe would consider themselves unable to function without.
DAVID MARCUS, DANIEL M JACKSON
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Monstrosity, Identity and Music

2023
Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing,
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Musical identity

2008
Book abstract: The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field.
MacDonald, Raymond A.R.   +2 more
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Musical Identities

2002
Abstract Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music ...
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LGBTQIAPN+ music and community: self-identity/musical identity and its relationships

Caderno Pedagógico
Using a qualitative approach, based on bibliographic references in continuous dialogue with the personal/musical identity development trajectory of author 1 and reflections/narrative of author 2, this investigation will present a brief contextualization of the community, its struggles and the respective meaning of the acronym “LGBTQIAPN+”; the ...
Vinicius Pauluk Giaretta   +1 more
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Youth Identity And Music

2002
Abstract Several recent publications have focused on the role of music in young people’s lives (e.g. Larson, 1995; Zillmann and Gan, 1997; North and Hargreaves, 1999; North et al., 2000; Welch, 2001). A prevalent theme throughout this research is the distinction between musical behaviour which takes place in formal (in school) and ...
Mark Tarrant   +2 more
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Sport, music, and identities

2015
1. Introduction: sport, music, identities 2. 'See, the conquering hero comes! Sound the trumpets, beat the drums': music and sport in England, 1880 - 1939 3. 'Bubbles', 'Abe my boy' and 'the Fowler war cry': singing at the Vetch Field in the 1920s 4. 'All Men Will Become Brothers' ('Alle Menschen werden Bruder'): Ludwig van Beethoven's Ninth Symphony ...
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