[Review of] Ray Allen and Lois Wilken, Island Sounds in the Global City: Caribbean Popular Music and Identity in New York [PDF]
, 1998 In putting together Island Sounds in the Global City: Caribbean Popular Music and Identity in New York, editors Ray Allen and Lois Wilcken were undaunted by the enormity of their tasks of contextualizing and capsulizing the breadth of Latin American and ...
Dossar, Kenneth
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Have We Come An This Way for Birth or Death?1 Liturgical Music as Prophetic Ministry [PDF]
, 2006 (Excerpt) The prophet announces to the world what must die in order that the Kingdom of God be born. In its very doing liturgical music participates in this death-resurrection mystery which lies at the core of Christian identity and mission.
Harmon, Kathleen
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Black is my home country: re-membering race on gospel grounds [PDF]
, 2018 This essay presents partial findings from a study of historically black collegiate gospel choirs (HBCGCs) at predominantly white universities in northeastern United States.
Hickman-Maynard, Theodore
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Music and collective identities [PDF]
Muzikologija, 2007 This paper presents some introductory observations on the ways in which the opposition between the modern and post-modern understanding of social identities can be overcome in the context of musicology. It is based on the consideration of identities as dynamic and changeable categories, as well as on the importance of the relation between individual ...
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Himalayan Hybridity and the Evolution of Ladakhi Popular Music [PDF]
, 2018 Historically, Ladakh in the Western Himalayas was a significant nexus of Trans-Himalayan caravan trade, and thus exhibited a significant hybridity in its material, linguistic, religious, and musical culture.
Dinnerstein, Noé
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SOCIOKULTUROLOŠKI KONTEKST MUZIKE
Accelerando: BJMD, 2019 In this article music is regarded as one of the means of communication. The author approaches to music as a medium through which humans develop their skills, views, personal preferences, physical and mental abilities, as well as social skills.
Maja Marijan
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The Influence of Music on Interethnic Relations of Sarajevo and Mostar’s Inhabitants
Etnoantropološki Problemi, 2021 Music and musical forms represent unfailing part of every human society and culture. Music can bond people and their communities, as it can be "in the service" of creating and transforming identities, e.g. ethnic, regional and local.
Bogdan Dražeta, Zorana Guja
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Music teacher practice and identity in professional development partnerships [PDF]
, 2004 Since 1995, the author has been the university music educator responsible to a professional development partnership. Over an 8-year span, she has collected narratives of experience from approximately 100 pre-service music teachers, following, to some ...
Conkling, Susan Wharton
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Epitomising the modern Spanish nation through popular music: coplas from La Caramba to Concha Piquer, 1750-1990 [PDF]
, 2007 Music is an important language of the emotions and can often arouse strong passions in its performance and representation, both from the individual's perspective of personal identity and for the individual's sense of identity and of belonging to a given ...
Carbayo Abengózar, M
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Rap Music Lyrics and the Construction of Violent Identities [PDF]
, 2010 This paper explores the relationship between lyrical rap music content and the construction of an adolescent‟s social identity. The lyrical content of rap music is one form of violence in the mainstream media.
Durgin, Rachel
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