Results 21 to 30 of about 174 (85)

Billedprogrammet på Trondenes: Den hellige Anna – sjømennenes og rikdommens beskytter

open access: yesNordlit: Tidsskrift i litteratur og kultur, 2015
The interior of the parish church at Trondenes in Harstad in Northern Norway is one of the best-preserved medieval interiors in Scandinavia. Four of its reredos have survived, three of them in situ.
Rognald Heiseldal Bergesen
doaj   +1 more source

Sosialdemokratisk himmelfart: synkretistisk kirkekunst i FNs Sikkerhetsrådssal

open access: yesKunst og Kultur
Det monumentale maleriet i FNs Sikkerhetsrådssal er malt av Per Krohg på bestilling fra Arnstein Arneberg. I denne artikkelen foretar jeg en ikonografisk analyse av bildet og forklarer årsaken til og konsekvensene av at det ble malt på lerret og ikke som
Maria Veie Sandvik
doaj   +1 more source

Politisk Ikonografi

open access: yesSlagmark - Tidsskrift for idéhistorie, 1970
Politisk ...
openaire   +2 more sources

Haarsymbolik in der christlichen Ikonografie [PDF]

open access: yesAktuelle Dermatologie, 2010
The symbolism of hair is observed in the Christian Iconography. The first example is hypertrichosis generalisata with the skin covered completely with fur. This disfigurement symbolizes the recovery of Christian grace. This was repeatedly represented in the 15th century.
openaire   +1 more source

Metafora Baru dalam Seni Lukis Kontemporer Berbasis Ikonografi Relief Yeh Pulu

open access: yesMudra: Jurnal Seni Budaya, 2019
Artikel ini merupakan luaran penelitian terapan tahun ketiga, bertujuan untuk mengungkap penciptaan seni lukis kontemporer berbasis ikonografi relief Yeh Pulu. Penciptaan seni lukis dilakukan melalui dua tahap: analisis ikonografi untuk menemukan konsep,
I Wayan Adnyana   +2 more
doaj  

Iconological Analysis of the “Man on a Bicycle” Relief in North Bali Created During the Dutch Colonial Period | Analisis Ikonologi Karya Relief “Laki-laki di sebuah Sepeda” di Bali Utara Jaman colonial Belanda

open access: yesSPAFA Journal, 2023
Temple in North Bali. The relief was created around 1904, when North Bali was under Dutch colonial rule. It is the first relief created that deviates from Balinese society’s traditional art style.
I Dewa Alit Dwija Putra, Sarena Abdullah
doaj   +1 more source

Political Context in Surakartanese Court Style Wayang Gedhog: Relationships Between Iconography and Performance Aspects with the Image of Power in 19th Century Java | Konteks Politik dalam Wayang Gedhog Gaya Kraton Surakarta: Hubungan Aspek Ikonografi dan Pertunjukan dengan Imaji Kekuasaan Jawa Abad ke-19

open access: yesSPAFA Journal
Wayang gedhog, a Javanese art form that dates back to the 15th century, has endured several cultural transformations, once seen by the Walisanga as a method of spreading religious preaching. Under the rule of Mataram kings, who tended to reinforce their
Rudy Wiratama   +2 more
doaj   +1 more source

Kajian arca Agastya bertubuh ramping koleksi Museum Mpu Purwa Kota Malang

open access: yesBerkala Arkeologi, 2021
Penelitian ini bertujuan untuk mengkaji dan mengidentifikasi tempat asal arca Agastya bertubuh ramping yang tersimpan di Museum Mpu Purwa, Kota Malang. Objek kajian dalam penelitian ini adalah Arca Agastya yang digambarkan berperut ramping, gaya rambut ...
Rakai Hino Galeswangi
doaj   +1 more source

Utrakvistická ikonografie sv. Václava

open access: yesArcheologické rozhledy, 2015
V muzejní sbírce dosud nepovšimnuté fragmenty kachlů, vyrobených za pomoci stejného kadlubu, z dvorů Holákov a Rájov u Pelhřimova doplňují představu o utrakvistické ikonografii výzdoby pozdně gotických kamen v Čechách. Na výzdobném reliéfu je znázorněn zemský patron sv.
Jan Kypta, Vlastimil Simota
openaire   +3 more sources

Religiøs ikonografi og politisk agitation

open access: yesReligionsvidenskabeligt Tidsskrift, 1986
About the painting “The Siege of Constantinople” as found on six churches from the 16th century in Moldavia. In the first decades of the 16th century the late Byzantine iconography flourished in Moldavia on church exteriors.
Carsten Riis
doaj   +1 more source

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